Character Snippets of The Prodigal Band Trilogy–Links to Posts on Omegabooksnet.com Site

The following links to the OmegaBooks website link to ‘character snippets’ from The Prodigal Band Trilogy articles by character are posted below. The actual citation from The Prodigal Band Trilogy is highlighted with a description of the character in play. The book chapter is also mentioned–the snippets come from one or more of the three-books-in-one (Battle of the Band, The Prophesied Band, The Prodigal Band). The characters in question are the six band members:

Erik, the singer-front man

Jack, the guitarist-band leader

Mick, the guitarist-producer

Tom, the drummer

Keith, the bassist

Bryan, the keyboard-synthist

Of course, there are other important characters–their women, managers-handlers, bad guys and evil spirits and good guys and good spirits.  But those snippets will have to wait.

The Prodigal Band Trilogy © 2019 by Deborah Lagarde, Battle of the Band © 1996 by Deborah Lagarde, The Prophesied Band © 1998 by Deborah Lagarde and The Prodigal Band © 2018 by Deborah Lagarde. Permission needed to copy any materials off this page.

Snippets of The Prodigal Band Trilogy–Links to Posts on OmegaBooksNet Site

The following links to the OmegaBooksNet website link to “snippets” from The Prodigal Band Trilogy articles by genre category, that is, the snippets would fit into the particular genre category, such as romance, suspense, horror, etc. The actual citation from The Prodigal Band Trilogy is highlighted with a description of the event or scene in play. The book chapter is also mentioned–the snippet either comes from the three-books-in-one trilogy part (Battle of the Band, The Prophesied Band, The Prodigal Band).

Here are the links by category:

Comedy

Conspiracy

Drama

Fantasy

Horror

Mystery

Occult part 1

Occult part 2

Paranormal

Romance

Satire

Spiritual

Suspense

Tragedy

After that there  will be Character snippets.

About the Prodigal Band Trilogy-Main Characters-Part 5: the Good

If there is a large number, or a cabal, of evil-doers in my Prodigal Band Trilogy, then there has to be those on the side of good. Good people, good spirits, good angels, starting with God, known in my series as:

The Creator: Also The All Mighty, The Creator, and the One we call God, Who rules all schemes. That is a direct quote format least one of my books. The Creator, Who rules all schemes, in the case of my books, has His helpers. Just as the Evil, Corion, has his helpers, spiritual and human.

The Tooters: Here is an interesting fact–I named these good angels The Tooters, the 70s, before I even knew anything about God’s angels “sounding the trumpets” in the Biblical Book of Revelation! But I named these three angels The Tooters because I had seen several angelic statues seemingly blowing trumpets in several places. And it was this notion of angels blowing trumpets or horns that helped drive my narrative of angels battling demons to put out a fire which burned an entire city in the year 1136 AD. (Why that year? I have no specific reason other than the 1100s in English history presents a lot of turmoil and a lot of peasant revolts many years after Norman Conquest. A conquest by a foreign power almost always has serious ramifications many years later, especially in a place such as England which was, from the Roman period until the 1200s–nearly a thousand years!–under constant threat of conquest: Romans, then Anglo-Saxons, the Vikings (Danelaw), then the Normans.) While The Tooters are a granite three-part statue, this statue is the portal or gateway through which the evil Demons first arrived that year and through which the three good angles then appeared, put the fire out, and prevented the Demons from returning to their Abyss–as they prevented the Demons, on God’s orders, from ever doing such a thing again. They would also keep Corion in check.

Morwenna, aka ‘the Witch of the Hovels’: As ‘the Witch of the Hovels’ (called that by locals who believed a ‘witch’ inhabited the Hovels, a slum for the indebted), she was a spirit that existed as a human at various times when necessary. As a witch, only chosen individuals could see her, hear her, talk to her, and feel her. When necessary, the witch was the human, Morwenna, who could be seen by all, but still would only contact those chosen by The Tooters for contact. As Morwenna she was young, but would grow old to the point where she became a spirit being.

Why female spirits, when the Bible says angels were the ‘Sons of God’ and were male only? In my original printed versions of both Battle of the Band and The Prophesied Band, I made a serious misinterpretation of the Bible with Zechariah 5:9, which talks about female spirits, and since Babylon is also referenced, I now assume these were evil spirits as with the Whore of Babylon in Revelation 17 and 18. In both books, The Tooters appear to be female due to this misinterpretation (and several Christian friends who I had review the first book pointed this out; still I refused to listen and put female Tooters in the next book!) That mistake was removed in The Prodigal Band. Still, I decided to keep Morwenna female, as ‘witches’ are considered female, and who is to say those female spirits in Zechariah 5:9 are truly evil?

In any case, both The Tooters and Morwenna are the guiding forces for my fictitious band to seek truth and good, and renounce evil.

And then there are the narrators, one of whom is an angel in human form–the Bible references angels in human form in many places: the angels who spoke to Abram/Abraham, the angles who prevented Lot from letting sexual perverts into his house before Sodom and Gomorrah were burned, the fallen ‘Genesis Six’ angles who mated with the ‘daughters of men’ and thus created ‘the giants’ (called Nephilim), various angles such as Michael who spoke to Biblical prophets such as Ezekiel, Gabriel, who told Mary she was ‘with child’ (Jesus) before she even has sex with Joseph–all of these angels presented themselves as male humans.

Jay Elliot, also known as the ‘Counselor Angel’ is the narrator of The Prophesied Band while being a Rolling Stone free-lance reporter (and Counselor Angel in Battle of the Band). Among other human jobs he has, he is the one that tries to convince the fictitious band, Sound Unltd, that they are ‘the prophesied band’ heralded in a previous hit song of the early 80s.

Lloyd Denholm, fully human and also Christian, is another Rolling Stone writer who eventually gets to help the band see righteousness, with Jay Elliot’s help. It begins with Denholm debunking the notion made by phony Christian preachers that Sound Unltd are ‘devil worshipers’ (a notion that gets repeated over and over when it comes to actual rock stars–sorry, they may want fame and fortune more than anything, but that doesn’t mean they are ‘devil worshipers’! Some are, of course, but not all, and, further, even rock stars are capable of repenting and accepting Christ. So there!).

Those notions are part and parcel with my book series–to speak of how and why we all need to accept Christ as Savior (Christ, not religion) and why ANYONE, even evil people, can repent and accept Christ. It is my job, not to actually convert anyone, but to try to get folks to consider it, and the benefits thereof. So far my FREE PDF e-book has been downloaded hundreds of times by what my stats tell me, so that’s a start.

Conspiracy? Talk About Evil Characters!

A great big oooops! here. The Prodigal Band Trilogy has lots of evil or bad guy characters, but I never listed them in the original post about evil characters! In going through past posts I realized I never posted this list of evil characters! Sorry about that! So here goes…

In a previous post here that was posted last December,  I explained that since the overriding theme of my series is the battle of good vs. evil, there had to be an evil side as well as a good side, and that the evil side would seek to rule the world in order to set up for the Biblical ‘end times’ and the coming of ‘the anti-Christ’ to deceive the world and especially those who claim to believe in the coming Messiah. So that this evil could rule the world, the world must be united and in peace under a global system (called ‘the Beast system’). I have no specific idea exactly what this system will look like, but, as it is a system set up by the arch-deceiver (the ‘anti-Christ’), it will be a deceptive system that will deceive many and cause some believers in Christ to ‘fall away.’

Who will usher in this evil? The most likely group of people who will do this according to Satan’s agenda are the world’s elites, the powerful and wealthy, because they would be the obvious choice for such a task–they love money and power, for the most part, above all. Who else would Satan choose? Satan is the fallen angel who wants to be like God and actually be God (see Isaiah 14 and ‘the five I wills’)–in other words, Satan seeks power. And who has the most power on Earth? Those with the most money, and those who control the money, are the most likely people to be used by the evil to thwart the good. These are the owners of the private banking cartels as well as the world’s central banks; for instance, the Rothschild banking dynasty. Further, those with lots of power and money are much more likely to believe they are entitled to control everything, including popular culture. Popular culture is one way the evil side is able to ensnare the world’s youth. This is especially true in a world in which even the good side has been corrupted and confused and thus much less likely to ‘call the youth’ to Christ.

There are two aspects to this side, the spiritual and the physical or reality-based. Spiritual darkness and its human minions that do its bidding.

The spiritual darkness is led by a fictitious ‘Celtic god’ called Corion, the name of which is based on the configuration of the Dragon Constellation in which the Pleiades star system and Orion’s Belt (as part of the Orion system) are located; Orion is on the outskirts of the Dragon and looks as if it is ‘fighting’ the Dragon. The fictitious ‘Satan’ figure is named ‘Corion’ based on its connection to Orion. But here’s the thing–I did not know any of this when I ‘made up’ this character name! I truly believe God led me to call this evil by this name. Corion, who was cast into an Abyss by God after the fallen angel rebellion against God failed, is aided by three Demons:  Gold, Silver, and Bronze. To ‘see’ in this dark Abyss, Corion is given by God a ‘red crystal sight’ that is eventually stolen by the spirit of a dead High Priest of a fictitious Celtic cult in Wales that was conquered by the Romans around 50 AD. (Note: While Emperor Claudius did conquer Briton proper and the Celts there, I do not know how far this conquest covered Wales. The Emperor Hadrian had the famous Hadrian’s Wall built just north of the Tyne River many years later to keep out the unconquerable Scots (Picts))

The name of this High Priest is Crynnwagg (an actual Welsh name) and Crynnwagg’s cult is called the Crag-Dwellers (crags are rocks or rocky structures). The famous Druids of Wales (the supposedly Satan figure here is Samhain, a leading figure in the Hallowe’en rituals and is of Druid origin) are enemies of the Crag-Dwellers, who eat captured Druids and drink the Druid blood, thus are cannibals. After Crynnwagg steals the red crystal from Corion within the netherworld, Crynnwagg returns to life using the power of the crystal and whose spirit keeps on inhabiting different people through history for well over 800 years. Two prominent characters the evil spirit of Crynnwagg takes over through the power of the crystal are Swami Negran from India, and Cole Blessing, an American healer. Note that I chose a man from India for this since New Age cult leaders of the past have come from India. It is Negran and Blessing that ensnare my fictitious rock band Sound Unltd into doing their dirty work on the youth, in return for fame and fortune and all the trappings thereof.

There are five prominent human men who serve the spiritual darkness, and, just as the globalist ‘new world order’ being ushered in today is led by various supposedly ‘secret’ societies such as the Bilderbergers and others, my fictitious globalist secret society is called the ‘Novordo Club’ (Novordo stems for the ‘Novus Ordo Seclorum’ theme on the dollar bills and means ‘New World Order’ or “New Order of the Ages.’), as well as the fictitious UN body called the ‘World Youth Cultural Council’ which seeks youth culture conformity and a supporting NGO foundation called the ‘World Community Artists Foundation’ comprising youth culture celebrities who support globalism. Then there is the spiritual arm of this grouping called the Hellians (prominent in The Prodigal Band) and its subgroups, two of which are called ‘the Slake of Satan’ and ‘the Inner Sanctum.’

While various groupies and even fellow rockers are in these groups, the five prominent men that ‘rule the world to Corion’s specification’s are as follows:

Baron Torquay-Lambourgeau: No disrespect for the English town of Torquay and the residents of today’s French province of Normandy where (from my research) the name ‘Lambourgeau’ is fairly prominent. This character heads the evil secret society the Novordo Club as well as the Hellians, is the son of a blood-drinking Vlad-the-Impaler-Count-Dracula-type Satanist, and whose son, who has disavowed evil, is the manager of the fictitious band Sound Unltd. He has a direct line to the evil god Corion and is one of the chief minions. He is also a banking cartel owner and somewhat based on the leaders of the Rothschild banking dynasty. Due to the conquest by William of Normandy in 1066 of England, I thought it was only proper to make this character of Norman descent.

Marty, the Duke of Effingchester: This fifteenth Duke of Effingchester is a direct descendant of the evil Duke who, in 1136 AD, called on Corion to send Demons to burn his city to the ground in order to put down a peasant revolt. In the 1100s through the 1300s, England had many peasant revolts as serfdom was heading by the wayside to be replaced by farmers called ‘yeomen.’ In return for the Demons putting down the rebellion, this Duke was forced to give a blood oath to the god of evil while being forced to keep the defeated serfs ‘forever in debt.’ Finally, the name ‘Effingchester’ is indeed based on a certain cuss word!

Paul Xavier, Mr. X: ‘X’ is a music and media mogul who owns Time Communications, one of the world’s largest media conglomerates (it is not co-incidence that the name ‘Time’ is used. Not insulting Time Magazine, however, even if it is one of the more well-known mainstream media organs.) ‘X’ is a top member of the Novordo Club and Hellians.

Haikaru Yakimoro, Mr. Y: ‘Y’ is Japanese, and, because Japan is Asia’s most westernized nation and a tech giant of sorts (Samsung, Toshiba, and connected to SONY–a record label that has under its belt some of Asia’s best known rock bands such as the Gazette and others), I decided to make this character Japanese.

Rodney Davis: It is fairly well known that touring rock bands, using their roadies, “muled” drugs while on tours for organized crime, Mafia-like drug bosses, and the like in the 60s and 70s. At a Led Zeppelin gig at Madison Square Garden in NYC in 1971, I remember seeing roadies and others selling marijuana and cocaine and perhaps other drugs to gig audience ticket holders before the concert began, and someone in one of the mezzanines we were in tried to sell us illegal drugs. (Not picking on Led Zep here, but this really happened!) Rodney Davis was an American who worked for a Mafia drug lord who forced my band to “mule” drugs in order that they would “secure” their success. The movie “Roadies” starring rocker Meatloaf as well as Blondie and others, also goes into this issue of mule-ing drugs.

Finally, Corion uses three humans as direct conduits for evil purposes:

Swami Rashnish Negran: Negran is from India and is reminiscent of a certain cult leader who had some influence with certain 60s rock bands. Negran dupes my fictitious band Sound Unltd into his “Church of the Circle of Unity” cult. In fact many celebrities are members of New Age and other “religious” cults but have royalty-type status, thus treated ‘like gods’ unlike lesser members (such as a former friend of mine) who were treated like garbage and are forced to work for long hours for virtually no pay! Corion uses Negran as his main conduit, using the stolen ‘red crystal sight’ mentioned earlier.

‘Doctor’ Cole Blessing: A phony healer, an American, who leads one of Negran’s ‘churches,’ cajoles the wife of a band member into become his disciple, and uses fakery to “cure” another band member’s wife of cancer. Eventually, Blessing takes over the cult. While Negran is integral in Battle of the Band, Blessing is the lead bad guy in The Prophesied Band.

Mark Besst: A Brit and a tech company mogul who eventually (in The Prodigal Band) takes Cole Blessing’s place and doesn’t need the red crystal because he is inhabited by the Corion spirit of evil–at his own request. I called him ‘Mark Besst’ because it resembles the Biblical notion of the ‘Mark of the Beast.’ As with the others Besst acquires the band’s friendship and confidence and eventually takes over not only the cult, but the conspiracy as well. Besst uses three minions, ‘Beast,’ ‘Trenchcoat,’ and a phony Christian preacher called Reverend Ike to do his dirty work.

The Prodigal Band Trilogy–Main Characters, Part 4–the Evil

With this trilogy or series of novels themed primarily as a battle between good and evil, there must be an evil side. As I stated in a previous post, when the first novel, Battle of the Band, was being finalized, I began researching what forces might have been behind the events at Ruby Ridge in Idaho, the David Koresh cult church in Waco, Texas, and the various militia groups tied to the Oklahoma City bombing, the last two events of which happened under President Bill Clinton, as well as former President George HW Bush, who was the first world leader I ever heard mention ‘new world order,’ and was president during Ruby Ridge. Did Bush’s ‘new world order’ speech cause various militia groups to be formed as a response to increasing globalization toward a ‘one-world-government’? Such a scenario is prophesied in the Book of Revelation–that an ‘anti-Christ’ would unite the world under a false peace and then turn the world on its head in an orgy of death and destruction to all whom opposed this one-world-government run by evil. For it is research into Bible prophecy that caused me to consider this battle between good and evil as the theme for my books.

There are several ‘one-world-government’ or globalist organizations that, in my research, became well-known to me in the 1990s–the Council on Foreign Relations, the Trilateral Commission, and the Bilderbergers, and others. They all seem to work together and all seem to contain world leaders, politically, economically, militarily, and even culturally. There were or are even entertainment celebrities that have been involved in these groups, most notably Angelina Jolie, a CFR member. A rock star, U-2’s frontman, Bono, is also notable to have been seen around oligarchs like Bill Gates and even the Pope.

It is not that world unity or world peace is a bad thing. But what makes a one-world-government or ‘new world order’ a bad thing is that it will ultimately be led by evil forces, headlined by the Dragon (Satan, the anti-Christ), the Beast (a one-world-system designed to eradicate belief in Christ and destroy individual freedom and liberty in favor of collectivism), and the False Prophet (a religious or spiritual leader who will cause even believers in Christ to ‘fall away’ and buy into Satan as ‘the false messiah’). And what better way to lead especially young people to evil than by using popular culture icons–such as rock stars–to carry out this agenda?

And not just rock stars–these days, rap and hip-hop almost seem to have taken over pop culture from rock music, which has ruled pop culture since the days of the Beatles. Beginning in the 2010s, gangsta rap and hip-hop appear to be much more prominent, as well as pop icons like Beyoncé and Jay-Z and Kanye West. But, rap, hip-hop and the three icons I mentioned are all black. I am white, I do not listen to rap and hip-hop and Beyoncé and them, and I began my book timelines in mainly the 1980s into the 1990s–therefore, it would make no sense to write novels about black rappers or hip-hoppers or folks like Beyoncé. Further, in Britain and Europe anyway, rock music is still prominent, and in Asia, is becoming far more prominent. Some of rock music’s most prominent acts these days are from Japan and Korea.

However, the main reason my main characters are rock musicians in a Beatles-like super band is that so many people who follow popular culture today, and have followed it for years, truly believe rock music is a huge reason why evil has taken over world events. You Tube video after You Tube video purports to ‘prove’ that rock and roll is ‘the devil’s music’ and that rock stars are all ‘devil worshipers’ and, therefore, have no chance of salvation through repentance and taking Jesus Christ as Savior. This mindset, in my opinion, is full of fallacy. As I state in ‘The Prodigal Band’ toward the end of the book, some of Christ’s most important apostles were either wealthy ship-fleet owners or sons of such (such as Peter, owner of a fishing fleet, and James and John, sons of fleet owner Zebedee), or wealthy or prominent community leaders or officials (such as Matthew, a tax collector; Zacchaeus, chief tax collector and wealthy man; Jairus, temple leader; the Centurion, a Roman, and Nicodemus, a Pharisee). Then, you have folks like Mary Magdalene, a prostitute and a woman possessed by demons, possibly even a devil worshiper. The fallacy that members of the elites, or members of morally corrupt groupings, or both–such as wealthy, ‘devil worshiping’ rock stars–can never be saved because they carry out Satan’s agenda to morally corrupt the young for fame and fortune, is indeed, a fallacy.

Very likely there are few rock stars that have accepted Christ as Savior. Supposedly a guitarist for the death metal band Mega Death–I forget his name but he is mentioned in these videos– has openly avowed belief on Christ. So has rapper DMX. These two are likely two of the more prominent music celebrities that have. Some videos claim others have claimed that as well, but are faking it. Folks, it is difficult in a popular culture ruled by the ‘almighty dollar’ for a star celebrity to give all that fame and fortune up to truly accept the Way of Christ. But it is possible–yet one must give up the debauched lifestyle that one had led previously, and that is not easy.

So that, while it is unlikely that a star celebrity would give all that up to serve Christ, it is still a possibility, and to deny that such a thing could happen, to me is a fallacy, and a false belief that needs to be repented. To believe such a thing, in my opinion, is evil! For anybody can accept Jesus as Savior, and didn’t Jesus come to save the sinner?

As one of my characters mentioned earlier, Billy Preston, former band manager, says toward the end of ‘The Prophesied Band,’ to his former charges–“It’s not how you start, but how you finish.”

I will discuss my ‘evil’ characters and groups in the next post.

The Prodigal Band Trilogy–Main Characters, Part 3–Support Characters and Women

While not quite as important to the novels as the six band members of Sound Unltd, all big-time rock bands or rappers or pop singers or whatever have ‘administrative staff’–managers, road managers, roadies, producers, promoters, accountants, lawyers, consultants, and what not. A few of these types of support staff personnel within the three books are important characters that appear in all three books. And they are–

Manager Joe Phillips, son of a banker-oligarch who heads the ‘evil side’ (I will get into my ‘evil’ characters in the next post), and has the pony-tailed ‘Laurence Olivier’ look, with typical upper-class London accent. While he is descended from an evil family, he is opposed to this evil. But his family influence definitely aids the band into reaching huge success.

Former manager and mentor Billy Preston is the man who helped put the band together in the early 1980s and also adopted two of the band members, Jack and Tom, who came from poverty-stricken and abusive or neglectful families. Preston is mostly bald and rather plump, whereas Phillips is thin. Preston appears in all three books, primarily in The Prophesied Band and The Prodigal Band.

Road manager Billy Hallslip is a prominent character in The Prodigal Band, is rather short, porcine, has a Cockney accent, dresses weird and is actually the manager until Phillips takes over.

Chet and Stu, head roadies, are Hell’s Angels bikers, large and brutish, with north London accents and tend to get into bar fights. Bry is their boss and he has to bail them out at times. Some roadies are full-time, but many are part-time or even fan-temporaries.

Bobby is one of the ‘fan-temp’ roadies, who not only ‘baby-sits’ some of the band on road trips, but also helps the band later while they are on their ‘righteous journey.’ Bobby is a teen, and is also into the occult before he goes to jail for robbery and is set straight by a Christian convict.

Pearson, Rogers, and Rudi are important ‘personal assistant-butler’ types who help some of the band members get over drug or alcohol addiction, and other supports.

There are also many rival and friendly rockers, groupies, ‘lovers’ of various sorts, old friends and even family members, including children, that appear at varying degrees in all three books.

The Women

There are four primary female characters that appear in all three novels, to varying degrees. All become successful super models–matching the stereotypical meme that rock stars date super models, if not actresses. And all create their own business models–cosmetics, clothing lines, jewelry lines, body boutiques and the like–to become as successful as their men.

Ger, which is pronounced ‘Jer,’ is Erik’s ‘something,’ his ‘queen’ so to speak, originally from central London from a middle-class background, is medium height as he is, with ‘bedroom eyes’ and ‘sultry-sexy’ look about her, with page-boy brown medium-length hair. Of the four women, she is the most prominent. Her original name was ‘Geri’ but I decided to shorten it.

Laurie is Jack’s woman, but he doesn’t always treat her as well as he should, suspecting her of infidelity and having a lack of trust, which later backfires on him. She is gorgeous, long haired-blonde, tall, skinny and sexy, with a toughie voice and lurid smile. She is the first super-model of the four. As a teen, she is neglected by her father, and she lost her mother at a young age.

Jarris is Keith’s girl and marriage partner, abused by her own father which forces her to become very tough and thick-skinned, with flowing red hair and high-pitched voice, and very skinny even before she started modeling and later developed several profitable businesses. She and Laurie are often antagonists, but friends the same.

Mo is Bryan’s wife, though their marriage is rocky despite having three boys. While Bryan’s folks are confirmed atheists, Mo’s father is an Anglican vicar! Only her father calls her by her real name, Maureen. She is red haired, medium length, large boned, but thin enough to model. She is manipulative when it comes to her husband, with consequences for both.

Other women-

There are several groupies mentioned, but one in particular stands out–Princess Tina of the fictitious principality called Leandro, set inside the Italian peninsula. She is Tom’s ‘only love’ and due to his ‘low birth’ he must meet with her in secret. He has a very good reason for wanting to associate with her and her kind, aristocrats and other wealthy folks. Another one that becomes important and is in The Prodigal Band is Julie, a classmate of Mick’s in Music School and later a lover. She plays first chair violin in the city orchestra.

And finally there is Morwenna, but she is as much spiritual in nature as human, and will be discussed in a future post.

About the Prodigal Band Trilogy–Main Characters–Part 2: the Band

The fictitious rock and roll band that is on a journey to either choosing a good vs. evil path that ultimately all must take at some point called–for a very good reason–Sound Unltd, consists of six musicians of worthy talent, ambition, drive, and goals, with an instrument make up resembling most rock bands regardless of origin: guitarists–in this case, two–bass, percussion, keyboard-synthesizer, and lead singer/frontman. Since the time of the Beatles, this has been the usual configuration, more or less. Some of the six can play other instruments, as well, and some also have classical or operatic training. Three of the six come from musical families.

Descriptions of the band members:

I will offer physical descriptions two ways: one by actual overall description in word, and also a comparison to actual rock musicians or singers that should be well known…that is, character A looks like or plays his instrument like “so-and-so.” The word description of each band member comes from the beginning of the Prologue of ‘The Prodigal Band’, and I will name the character within the description:

“A lead singer (Erik) with dark brown shoulder-length hair accentuated by sensuous bangs on a baby-face was slender, thin-lipped and of medium height. Voice a Godly gift. Yet, some said, the devil’s tool.”  Within The Prodigal Band I compare his looks to Elvis Presley, but a lot skinnier; plus he has a Nordic complexion. His mother is from Norway, thus his name is spelled with a ‘k’ and not the usual ‘c’ ending. His voice is also similar to Elvis, deep and rich sounding.

“A tall, angular-faced guitarist (Jack) possessed dirty-blond hair now growing on once-shaved sides of his head. Now without the screaming instrument he fired into immortality.” I don’t really have an actual guitarist he resembles, but as for his playing style, it is not quite Hendrix, but still innovative, and has various qualities one would expect from Clapton, Page, Townsend, Walsh, or Prince.

“The dark, strapping bass guitar player (Keith) with bushy black hair and dark-coal eyes walked without his trademark gold chains.” The closest comparison to a renowned bassist is Jack Bruce of Cream, who, in my opinion, is the best bassist in rock history. And, for the sake of diversity which is rampant in England since the 60s, Keith’s grandmother is African, from Nigeria. I made Keith part-black while I was writing ‘Battle of the Band,’ but I did not stress this change until ‘The Prodigal Band’, where I bring up the issue or racism–I hate racism of any kind! As for looks, he certainly isn’t as dark as Hendrix! He and Erik call each other ‘bro.’

“The tall, lanky, beak-nosed, ringlet-haired album producer and master of many guitars (Mick) worried over his past perversions.” Mick is a cross physically between Jimmy Page, Alice Cooper, and Ozzie Osbourne, but much taller and skinnier (his nickname is ‘Skinny’). As with Page, he is an occultist, more or less. Jimmy Page bought occult cult leader Aleister Crowley’s Loch Ness occult estate, while in the books, Mick lives in an ancient occultist castle in the Cambrian Mountains of Wales near a burial site of an ancient Celtic occult high priest. The supposedly satanic memes of Page’s Led Zeppelin also provide a comparison for my fictitious band.

“The pot-bellied, biker-esque keyboard-synthesizer player (Bryan) famed for red hair wild as the wind, fiery as his brew, bore a downcast of regret.” I really cannot think of a keyboard-synth or piano player in rock music that has a similar description, but he does look like a typical Hell’s Angels biker. His nickname is ‘Bry’ or ‘Redbeard.’ As for playing style, his style reminds me of the keyboardist for Dire Straits, but the keyboardist of the previously referenced 60s group the Animals, Alan Price, is also a reference here, if you remember back to those days. Plus, he also plays Northumberland bagpipes and some horned instruments.

“A short, curly-blond percussionist (Tom) once angered by lost love approached with the others to an unknown destination, glad with a full life behind him.” The closest resemblance here is to Ginger Baker, rock and roll’s version of the greatest drummer of all time, Gene Krupa, who was the drummer for Benny Goodman’s Orchestra, an icon of the ‘big band era’ of the late 1930s and 1940s. Plus, Tom also looks kind of like Baker, with blonder and curlier hair, and shorter a well. Tom’s nickname is ‘Shorty.’

Music style–One reason I named them ‘Sound Unltd’ is that they can play virtually any rock and roll style, from fifties throw-back to progressive-psychedelic-late 60s to heavy metal to punk to new wave to grunge to rock-rap to even orchestral and rock-aria and operatic. There is a scene in ‘The Prophesied Band’ where the narrator, a fictitious ‘Rolling Stone’ reporter, imagines lead singer Erik on operatic stage while performing a rock aria he wrote. Their stage performances resemble the gigs of the 90s, with all the pyrotechnics, raunchy stage-mic stand-sex antics, guitar-bashing (first performed by the Who’s Pete Townsend in the 60s), faked amp burning, and other attention seeking behaviors.

Music influences–The Beatles, certainly, but also Mick Jagger’s notorious stage antics, and Led Zeppelin’s supposedly occultist influences as well. Other influences include Kurt Cobain and Nirvana, Prince–who is one heckuva musician–Michael Jackson even, with his dancing on stage, and, of course, Jimi Hendrix…there will never be another guitarist like him!

That’s all I’m going to say about the characters and their personalities. If you want to really know their personalities, read the books! Hint: my own daughter loves these guys! Maybe so will you.

About the Prodigal Band Trilogy–the Main Characters, Part One

In the previous post and other various posts, I stated that my main characters morphed from a gang or clique of boys in the area I grew up, Long Island and New York City, to rock musicians from England–a decision influenced by, first, the fact that I actually made it into a local band; second, rock music was my main connection to youth culture of my generation (60s and 70s); third, my fave bands of that era–and the most influential bands of that era–were Brits, and I had visited England as well as attended the 1970 Isle of Wight Rock Festival which featured the Who, Traffic, ELP, Led Zeppelin, and Jimi Hendrix (who died in London a few weeks later) and others of note (some whom I missed since we had to leave early to get the flight back to the States).

That the most influential rock bands of that era were from England was a major reason my fictional band, Sound Untd, is from England. And what band from that era had the most influence on how I constructed my fictional band? Why, the Beatles of course! The so-called Fab Four–whom many claim are the greatest rock band of all time…basically re-invigorated the genre leading the so-called ‘British Invasion’ in 1963-64 as rock music in the States had been, IMHO, flat-lining since the plane crash of Buddy Holly, the Big Bopper, and Ritchie Valens in 1958. One doesn’t need to read the ‘Rolling Stone History of Rock and Roll’ books to know that from 1959 until the Beatles, rock was tripe, was cutesy-wootsey, was just ‘boy meets girl, boy ‘dances’ girl’ stuff (and you know what they mean by ‘dance’–having sex, right?), with a few true rock outfits to keep the genre alive (Del Shannon, Dion and the Belmonts, Beach Boys and a few others). Folks, it wasn’t until the Beatles came around–and the groups that followed them–that I had any interest in rock music at all. With the arrival of the Beatles, my world–and the world of my friends–became consumed by listening to the radio and records, reading ‘fan magazines,’ including the British one called ‘Melody Maker,’ and even getting together and pretending we were the Beatles on stage as the Beatles records played on victrolas or stereos (and not just the Beatles, either) in bedrooms or basements. It was this “pretending” to be John or Paul or George that would later give me the idea of learning guitar.

It was the Beatles and the other groups that helped me to grow up amongst my peers and not just be the loner, sort of, that I had been before. Finally, I was able to ‘fit in.’ Finally, I became interested, somewhat, in boys–it would take several years, however, before boys became interested in me. I wasn’t exactly a ‘hot date’ if you know what I mean. It wasn’t until my senior year of high school that I even thought I was good-looking enough (despite my acne) and finally landed a boyfriend of sorts (whose acne was even worse, but anyway…). Oh, as for my friends–most were better looking than me, and one of them, who looked like the model ‘Twiggy,’ (remember her? And she appeared in the movie ‘Blues Brothers’ as well toward the end), actually had a rock musician boyfriend–lead singer and lead guitar, of course. Another friend also dated once or twice another band singer who graduated the year before I did. And another friend had her band and she could sing like Janis Joplin! So, folks, since I knew I had writing talent since I’d been writing since the age of 8 or so, what better way to get the ball rolling than to write fiction stuff about an imaginary rock band?

But from England…but where in England?

My fictitious band absolutely could NOT be from Liverpool because that’s where the Beatles are from, and because they spoke with one of the weirdest accents on God’s green earth–Scouse. Sing-songy, to the point of crazy (and yes, folks, out here where I live a recent property owner just happened to be from Liverpool). And anyway, no way was my group going to be from where the Beatles were. London? Nope. Several bands, especially the Rolling Stones, were from London and, as with the Beatles, the Stones were prominent enough to where they, too, would be a serious influence on how my band was created. Manchester? A group that hit it huge for about a year, Hermann’s Hermits, was from there, but after a while they just did what I thought was tripe. And it seemed to me that most of these British Invasion groups were from either Liverpool, London, or Manchester.

Another group from another part of England hit it big in the summer and fall of 1964, and this group did some very interesting–and different–music, more bluesy, and with a really, really good keyboard player that really titillated my ears–the Animals, whose first hit was a remake of the Bob Dylan song, ‘House of the Rising Sun.’ Later songs had a bluesy style, such as ‘Boom Boom’ and ‘Bo Diddley.’ I saw them one night on the Ed Sullivan Show, and, after performing, Sullivan started to interview them, and–well, talk about weird accents! Neither I–nor by the looks of it, Sullivan–could understand about half of what they said, but it turned out they were from Newcastle-upon-Tyne, which is way up north and close to Scotland. In fact, the accent had a Scottish lilt to it–and that was the fascinating part. Their music, and their accent.

Then, in 1970–and I’ve stated this in a previous post as well–the night before taking the ferry from Portsmouth (I think, or South Hampton) to the Isle of Wight, I just happened to meet three guys from Newcastle, and while one of them was hard to understand, the others were easier–but still, they spoke with that fascinating accent, called Geordie. Several years later after meeting some folks from Scotland, they told me the Geordie accent (and there is a dialect, as well, but I won’t get into that) was very similar to and actually derived somewhat from Scottish. Historically it makes sense: Hadrian’s Wall, which the Tyneside town of Wallsend is named for, was in fact the old time border between England and Scotland. The portion of the county of Northumberland (or Northumbria) north of that wall was part of Scotland off and on for centuries, and was finally incorporated into England in 1744, the days of ‘Bonnie Prince Charley” and that war. And, the more I hear Geordie (YouTube videos and the like), the more I’m glad I chose that area and that accent for my characters in the band.

They come from the fictitious city of Walltown (south of Wallsend on the Tyne river where they build boats and stuff, and east of Newcastle), and the main tourist attraction of this fictitious city is an angelic statue called The Tooters (referencing the horn-blowing angels in the Book of Revelation). Well guess what? Across from Newcastle is Gateshead, and it just so happens that the main tourist attraction in Gateshead is–and angelic statue! (The thing is, it looks more like a bird, but at least it has wings, if not horns). And bear in mind I didn’t know ANY of this when I started writing my book(s)!

Finally, why did I call my group ‘Sound Unltd’? The original name for the group was the actual original name in my books, the Smash. Later, I changed it to ‘Smash Unltd’ (you do realize ‘unltd’ is short for ‘unlimited,’ right?). Two things caused me to change it to ‘Sound Unltd’–one, the fact that a group called ‘Sounds Incorporated’ existed in the 60s (of course, they never made it here), and that spiritual inspiration that came to me in the early 90s. Further, the name Sound Unltd is so ‘pretentious sounding’ that I figured no one would ever call themselves by that name, and so far, no one has–and they better not, since the name exists in copyrighted manuscripts! I do hope I never to lay out a couple o’ hundred dollars to trademark it!

About The Prodigal Band Trilogy: the Why Parts 1 Through 5

Since Lulu.com is now in production mode of my “three-e-books-in-one” The Prodigal Band Trilogy, now is a good time to rehash “the why” I created these books beginning years ago.

Part One

As I have said in previous posts, I began my journey as a writer of fiction around the age of 8 or 9. I was returning home, on Long Island, New York, with my parents and older brother in a car from a visit to my grandparents (mother’s side) who lived in Mount Dora, Florida (about 20 miles from what was then Orlando). It was the summer of 1962; thus, I was 9 at the time. And I just happened to bring some non-lined notebook-sized paper and pencil with me. The paper was folded in half, width-wise, and looked like a “paperback book.”

Glad I brought the paper and pencil, because I was bored. I do not remember what my brother, in the back seat with me, was doing–he was 14 and likely listening to transistor radio up to near his ears (and folks, before the Beatles came along, pop music was very very boring, cutesy-wootsey “love songs” and other meaningless tripe about teenagers falling in love. From the time of the plane crash of Big Bopper, Ritchie Valens, and Buddy Holly in 1958 until the Beatles in 1964, “rock” music, if you could call it that, was IMHO, tripe. Dion and the Belmonts and Del Shannon and perhaps the Four Seasons were about as good as it got, and who the heck was Elvis? But anyway…) I had no idea what my parents were doing other than driving.

This was my first journey into the “deep south.” And the only thing I knew about the “deep south” related to the Civil War and the abominable institution known as slavery back then. There were times along Route 301 or even what was then I-95 when I would see what were called “negro shacks” along the way, plus we all visited some Civil War Confederacy monument somewhere, can’t remember. Now I was a “buff” so to speak of Civil War history. So I decided I was going to make up some story about this kid in the South during the Civil War who, along with his friend, a black kid who had been freed from slavery somehow and lived with the kid and his family, hated the south and slavery! So what he and his friend did was help the Union Army blow up a Confederate “ammunition dump.” And they did. I did not mention the state the kid lived in, or even the kid’s family name, but I called him “Johnny Reb” and the black kid was named Sammy. So, I named a kid who would blow up a Confederate ammo dump Johnny Reb? When my dad actually read the “book” (named “Johnny Reb” and was about 20 pages long in pencil) he brought up this irony! After all, weren’t the Confederates called “Rebels”?

Around that time I also had a diary–didn’t all young girls have diaries then? So, there I was in late 1963 just starting to have any interest in the watered-down “rock and roll” back then. When it rained outside, and in the Northeast US, home of “Nor’easters,” it almost always rained some in the fall and early winter, the public elementary school kept all the students in the gym after lunch, too wet to play outside. I was in sixth grade at the time and, not being popular so-to-speak, no boy wanted to dance with me. So all I did then was listen to whatever 45 RPM record discs were put onto the record player. Not being a ‘A-list’ or even ‘B-list’ (more like ‘D-list!’) that’s all I could do as most of my friends were dancing on the gym floor with boys whom had asked them to dance. Well, I had to try to ‘fit-in’ somehow so, even though I thought the music was boring tripe, I pretended to like it anyway. Thus, in my diary I would make up stuff about myself–in terms of a fiction character I can’t even remember the name–being popular and folks like Chubby Checker or Frankie Valli (spelling?) wanting to ‘dance’ with me (not knowing the actual hidden meaning of ‘dance’ at the time…’dance’ was code for a certain ‘f’ word if you know what I mean!) And of course I made up the boy characters as well. And named them the same names I have used for the original rock band characters in my books! (Note: the band concept came about in the latter 70s, and then I added two more band members, then deleted one of the originals in the 80s only to put him back in during the 90s). The reader is going to have to wait to find out the names of the characters for a bit.

Part Two

Continuing from Part 1, no boy would dance with me in the public school gym on rainy days, so I pretended they would using a fictional diary character, a “new persona” so to speak, just to make myself feel like I was okay and not the ‘D-lister’ I imagined everyone else thought I was. I didn’t even think my neighborhood friends thought I was up to snuff (and I don’t mean “snuff film snuff” either! If this happened to day I’d have been called a “geek” or “emo”). Four of the fictional diary boys later became four of my Prodigal Band fictional characters.

But in late December, 1963, before school was let out for Christmas vacation, I noticed a magazine picture on a shelf along the blackboard wall headed out the door. On the picture were four young men dressed in dark-colored suits and long-ish hair…back in those days boys or men generally had either crew cuts or short hair not below the neck line. These four men had much longer hair than I was used to seeing! The name or title above the men was written as “The Beatles.” Well, that was it, no other mention by any other student that I’d heard. And I had no idea who put this picture on the shelf, or why. The teacher was in her 50s–certainly she wouldn’t have put it there!

Then Christmas came and wouldn’t you know it but my older brother got two Beatles albums as a gift! (Did he put the picture there? Likely not, he was already in High School. But clearly he’d heard of the Beatles or else why would he request Beatles albums, LPs back then, for Christmas?) So he let me listen to both; one was Introducing the Beatles featuring ‘And I Love Her’ and several others I can’t remember, and the other was Meet the Beatles featuring ‘I Wanna Hold Your Hand’ and “She Loves You.’  Well, that Meet the Beatles LP just blew me away, especially ‘She Love You’ (Yeh, yeh, yeh…) Now THAT was rock and roll! So, I became an instant Beatles fan, and nearly went crazy when I watched them on the Ed Sullivan Show in February, 1964. And then went even more nearly crazy when I saw the movie, A Hard Day’s Night, that summer in a nearby movie theater.

But it wasn’t just the Beatles. By summer, 1964, the so-called ‘British Invasion’ was in full swing and pretty much took over the airwaves from American acts by then. After the Beatles came, in spring, the Dave Clark Five (who I actually got to see live in early 1965), and other Liverpool groups like the Searchers and Gerry and the Pacemakers; then in summer, the Rolling Stones and the Animals; then in fall, Herman’s Hermits and the Kinks. Then in 1965, the Hollies and the Yardbirds (both of which would lead to even greater things with Crosby, Stills and Nash and Cream and Led Zeppelin).

Note about the Animals: ‘House of the Rising Sun’ originally by Bob Dylan was one of my fave songs back then, and, when I saw them on the Ed Sullivan show, he interviewed them after they performed and what got me was that while I could understand what the Beatles were saying (they of course are from Liverpool and speak ‘Scouse’), I could barely understand what any of the Animals were saying! They were from Newcastle-upon-Tyne and had a very strange accent! And, in a later post, I will explain how I became fascinated with this strange accent, called ‘Geordie’.

But as for my fictional diary characters, since I didn’t know squat about how rock and roll bands did things and couldn’t play guitar then anyway, I didn’t yet have them form some fictional band–they became a gang. American, of course. Didn’t know squat about England–yet.

Part Three

Continued from Part 2, I said my ‘boy diary’ characters became a gang, but not a drug gang or a violent gang. Just a close knit group of boys, and all these teen boys had girlfriends. Remember, this was fantasy stuff in my fake persona diary that I kept, basically, because I loved writing and writing about a persona that was very popular among boys literally kept me sane (even if it seems as though making up fantasy personas seems insane! I will say this: I am sure any friends I had did think I was a bit on the weird side because I was such a non-conformist. And love of rock music was almost the only way I knew I could fit in with ‘the crowd’).

But, as rock music went psychedelic beginning with the 1967 ‘summer of love’ in San Fran’s Haight-Ashbury district, hippie central, and the release of the landmark Beatles’ album, Sargent Pepper’s Lonely Hearts Club Band—you know, the one with Aleister Crowley on the cover—I suddenly found myself absorbed in this music and decided I wanted to learn guitar. For Christmas in 1967 I got an acoustic guitar and a chord chart and a lesson book. Then in 1968 I got lessons from a teen around my age (16) who had his band, a neighbor. It turned out I could play an electric guitar much better than an acoustic one—the frets were narrower and the strings were closer together, a benefit to one with shorter fingers and a wee bit spastic in the ring finger who had trouble with chords that required outstretched fingers such as B, B flat, A flat, etc. So that I got good enough to play in this band as well as sing. Well, this got my ‘boy diary’ characters out of ‘just a gang mode’ and into ‘gang and rock musician mode.’ While the band I played with some broke up shortly, at least I got a taste of what being in a rock band was all about. By 1969, I had my fantasy boy rock band made up, and I wrote ‘stories’ about how they made records and toured and stuff.

And then came 1970 when a boy—he was pimply as all get up and curly blond hair and not exactly ‘A-list’ either—asked me out on dates, and even the senior prom. I turned down the prom offer, but at least I got to ‘make out’ so-to-speak. By then, I was ‘B-list,’ and working at an afternoon job at a local supermarket. Near graduation time from high school my best friend showed me an ad in the New York Times about a ‘university lecture program’ for students interested in European affairs from a British point of view at Sussex University near Brighton, which is on the English Channel and a seaside resort of sorts, with the added bonus of ‘living’ with a local family, as part of what was called ‘Inter-Teach.’ My folks knew I was somewhat an ‘Anglophile’ (thanks to Brit rock bands mostly along with a fascination for British accents…heck even American accents are fascinating to a degree), so they decided to put up the money for me to partake in this program as a graduation gift.

The program began in mid-July, 1970 and my friend (who had just turned 16 and I was nearly 18) and I and three college students and one HS freshman (we almost never saw…he was there solely for the education) lived in houses of program patrons in a Brighton suburb and attended daily lectures at the university given by three professors, one of whom was Welsh. In addition to  lectures we all did the following: saw a Shakespeare play in his home-town of Stratford-on-Avon, got coffee at Oxford University, saw several museums in London including one honoring one of my fave authors, Charles Dickens, some folk music festival near Guilford in Surrey, and various trips to pubs (without the freshman…while my friend and I weren’t quite 18 yet and thus weren’t old enough to consume alcohol, no one noticed that and for the first time in my life I drank warm beer. My friend and I also made a special trip to the northern London Hackney district so she could see her aunt, her mother’s sister, and her cousin for the first time (they lived in a tower block…at the time, Hackney seemed okay; now, it is supposedly an ‘Asian’ (read Muslim) district and there were riots there several years ago!). And various car trips with the family I stayed with.

We were supposed to leave England around the 25th of August, but my friend and I and two college students stayed an extra week or so. To attend the second Isle of Wight Rock Festival, Britain’s Woodstock (the other two on this trip returned without us) we learned about when we met some young men at some youth hostel or something. And no way was I going to miss a chance to see the Who, Pink Floyd, Traffic, Emerson, Lake and Palmer and many others. (Note: the final day, Sunday, featured Jimi Hendrix and Led Zeppelin, but we had to leave during that day, or else we never would have been able to return to the States in time—it took days for everyone to leave Woodstock in August, 1969, and this was on an island!)

The festival was wonderful and interesting, but that really wasn’t the best part of this extra-week stay. The best part was a trip by van (driven by a male college student who quickly learned how to drive on the left side of the road in the right side of a vehicle!) into and around Wales, including the Cambrian Mountain area (spending a night at a bed and breakfast in said mountain area), then onto Bristol and Bath—named for ancient Roman hot baths—then onto Stonehenge, then onto South Hampton (or was it Portsmouth?) for the night to take the ferry to the Isle of Wight the following morning. So we spent the night ‘camping’ by the van, but before I went to sleep in the front seat of the van I had a very interesting conversation with three men in their twenties that spoke with that very strange accent I mentioned in my last post.

Part Four

The four of us—my friend and I and two college students—parked the van we rented in the overnight parking lot next to the ferry dock for the Isle of Wight to head for the Isle of Wight Rock Festival the following morning. Next to our van was another van, and next to us in front of that van were three men likely in their twenties that really only I spoke with, from Newcastle-upon-Tyne. Of the three, I could only really understand one of them; the other two had much thicker Geordie accents. No matter, the accent was fascinating (and, in fact, most English accents are somewhat fascinating). According to this Northeast England website,   this accent/dialect is derived from the Angles (not the Saxons) and is related to Celtic tribes that border Scotland. (In fact, all northern England accents/dialects derive from the Angles instead of the Saxons). Nor was this dialect affected by the Viking invasions and subsequent Danelaw kingdoms that were later conquered by the Normans. In fact, from the time of Robert the Bruce’s successful take-back of most of Northumria (above the Tyne, at the site of Hadrian’s Wall above the city of Wallsend) until England took it back in the 1740s, that area was part of Scotland. If you hear the Geordie accent, it almost sounds Scottish.

A couple of things to note this accent/dialect: one, instead of “ow” or “ou,” they say “oo,” and instead of the long A sound, it sounds like the long E sound, a sharper long I sound and long O sound, the short “a” sounds like “aaa” or “ah,” and the short u sounds (as with other northern accents) like a cross between “u” and “oo” (for instance, take the “u” in “push”, but not quite the “oop” for “up.” And other different sounds. And more, such as the expression “to hell with it,” they’d say “to hell wi’t.”

And that, folks, is why my band fictional characters are from this area. The accent.

And the history as well. I mentioned Hadrian’s Wall before. Then, in the latter 700s (as seen on the History Channel TV series “Vikings”) Norsemen raiders from mainly Norway sailed, among other places, up the Tyne River and nearly took over the Kingdom of Northumbria. Later the area was Christianized and today there is a famous monastery in the city of Jarrow, also made famous by the “Jarrow March” of striking coal miners and ship-yard workers in 1926. Across from Newcastle is the city of Gateshead that features an angelic-like or winged-bird-like statue, near the entrance point to the world’s first suspension bridge. The point about the ‘angelic statue’ plays a role in my novels. One has likely heard the term “coals to Newcastle,” and of course this river is a major shipping artery for more than just coal. In fact, and I didn’t even know this until after my first novel was published, there is a direct shipping lane from the city of Stavanger, Norway, to Newcastle. This also plays a role in my novels.

So I kept all this in mind when I seriously started writing the Prodigal Band Trilogy.

Part Five

Now is Part 5, discussing the various changes I made over the next twenty or so years from 1970 until the final version of the first novel in the series, Battle of the Band, was published, that set the stage for the next two books, including the FREE PDF of The Prodigal Band.

In the early 1970s I had planned to write the story of a 60s band, but that made no sense since no prime plot was set, and why write a story about a 60s band when the 60s were over with and in the mid-70s the music genre was changing? And, oh yeah, the mainline pop music at the time was a genre I hated—Disco! And then in 1975 another rocker I had no regard for, Peter Frampton—remember him?—was suddenly foisted on us rock fans at the same time the early 70s wunderkind, Led Zeppelin, was stagnating? Just as with today and my feeling that rock is dying or died with Chester Bennington and Chris Cornell resting in peace, I felt that by the latter 70s rock was dying as well. What was around was milquetoast at best (with a few exceptions like the Eagles and one or two others). Thank God for punk—the Ramones, the Cars, the Police and others. As I said, a 60s or a 70s band made no sense to me, and again, what was the over-riding plot?

And, oh yeah, I was in my mid-20s and had to support myself and figure out my life, right? That meant working full time, and then later, attending college, which I thought would help me figure out just what I was going to do with my life. So, from 1972 or so until about 1981 I stopped writing (except for college term and research papers).

In 1981, I graduated from a state university in New York. I had been accepted for a master’s degree/PhD at the New School for Social Research in the midst of New York City, a very expensive college, with the goal of getting a PhD in Psychology. Well, President Reagan screwed that one up by signing into law a provision whereby graduate students could no longer apply for Pell Grants or other grants, which was how I was planning to pay for college (and then there was the issue of getting room and board in New York City besides). I was NOT going to force my parents to pay for all this; they had just retired and moved to snowbird central, the Tampa-St. Pete area of Florida (where my mother’s folks lived). So, thanks to Mr. President, I had to put off my college plans, so I moved in with my parents in a nice retirement HOA home in a very nice subdivision with swimming pool, golf course, etc. But in 1982 I was hoping to head back to New School after having worked at several jobs. In the meantime, I began working on the band story again for a month or two. Then, in early fall, an event happened that would put the story off for years—I met my future husband, who lived in far west Texas, a beekeeper and lifeguard near the Oasis of far west Texas, mostly mountain and desert country. We married in a small Catholic church in a town of 600 people, then a couple of years later bought property in a local POA, then built a house there. In the meantime, I returned to college, Sul Ross State U, and got a teaching certificate in secondary math and English, then taught math in local high schools. In 1993 after having two kids, I got a Master’s Degree in Counseling, but never got a counseling job—my Spanish wasn’t good enough! (Note: I lived within a hundred miles of Mexico…).

So there I was…being a wife and mother and beginning to home school my kids and such in the middle of nowhere in the mountains in the early 90s and was no longer teaching (getting the Counseling degree in the meantime, then teaching a year in El Paso since we badly needed the income for various reasons I’m not going to get into here…but might be explained later in a non-fiction book I plan to write about an event that really happened in my neck of the woods in the mid-90s). One night in the early 90s—I can’t remember the year, but it was in the middle of autumn—I prayed and prayed for Divine intervention because I was feeling as if I must get these characters out of my head if I was to be a proper mother/teacher/wife, as if these characters haunted me. And that is why over the next couple of years the stories I had in my head became my first book, written on someone else’s Mac computer and then finalized on my own Mac computer in early 1996. Because of praying for Divine intervention, this book morphed into the spiritual genre.

Of course, that was the plan all along.

Being a ‘Non-Conformist’ Author: You Don’t Always Have to ‘Follow the Script’

In the mid-1990s I joined a local far west Texas writer’s group called ‘Texas Mountain Trail Writers.’ While working on the first printed novel I would call Battle of the Band, I needed ‘tutoring’ so-to-speak on absolutely what had to go into the novel to make it a legitimate novel, to market and sell the thing–that is, get some literary agent to ‘sell’ it to a big time publisher. No literary agent came a-calling, so I had to do it myself.

And this was what I picked up in all of these discussions and even annual writer conferences, which I will now list:

  1. ‘Show, don’t tell.’ Anyone who writes novels or books knows what this means. And I believe in ‘show, don’t tell,’  but there are times the ‘tell’ part has to be used perhaps  more than some would find acceptable, as I discovered finishing up my first book.
  2. Your setting must be a setting one is familiar with. After all, aren’t most of Stephen King’s novels set in Maine, where he is from? (And why do I always use Stephen King as an example? Because other than literary genius Kurt Vonnegut–from Ithica, New York (quite a few of his books are set in that part of New York state)–no writer has influenced me to write than the best suspense-si-fi-horror novelist in US history.
  3. Your characters must be from the setting you use that must be one you are familiar with.  Not all, but many of King’s characters are from Maine, or at least New England.
  4. Your characters, because you must know your characters–especially the main ones–must be part of you and even as you are. (Characterization)
  5. Dialogue–your characters must speak in a way that characters from a particular setting would speak, thus you must know how these characters would speak, which is why they ought to come from a particular familiar setting. Further, you characters must speak in a way that it is obvious for that character and the reader knows that is how the character talks. Use catch-phrases as well.
  6. Genre–this is the item that has and will give me the most headache. My books are not genre specific, but a mix of spiritual/satire/adult-rated R not X/horror/suspense/fantasy, so that could be why no literary agent touched my books–literary agents tend to be genre specific, or at least that’s what I was told by the first published author I ever met, a romance novelist (with plenty of the required ‘sexual tension.’)
  7. Theme–The only way I can describe any theme in my books is this: good triumphing over evil. If it isn’t ‘good vs. evil’ in fiction, then I am not writing it-ultimately, good vs. evil is the only issue that matters to me.
  8. Plot–Within the realm of the physical and mental and real and spiritual worlds, the plot revolves around an 80s-90s rock and roll band that, upon achieving great success, must choose their good vs. evil path, with triumphs, trials and tribulations along the way. Because they are ‘rock stars,’ they are ‘gonna do what a rock star is gonna do.’ Which is why these novels are adult–sex, drugs, and rock ‘n roll–and not young adult or Christian or rated G. Sorry about that, but if my characters are going to be real, they’re just gonna have to cuss every now and then, or engage in free sex–and one of my characters is bi-sexual, by the way.

Did I miss anything?

So, here is where I ‘go off the reservation’ so-to-speak. ‘Show, don’t tell’? Who gets to decide if you I don’t show enough and tell too much? Folks, I have NEVER read a novel without some ‘tell,’ okay? Read JRR Tolkein’s “Silmarillion’ some time…there is so much ‘telling’ in that book that one would think one of the greatest novelists ever couldn’t write a novel to save his life! But of course, he has to ‘tell’ about how the elves and what not came to be, from what heavenly spirits, and the rest. Then you have books loaded with dialogue–in fact, one friend-turned-book-critic once told me that my two printed books had too much dialogue! “Too much telling,” she told me. After all, dialogue is kind of like telling, right? In my opinion, however, nothing SHOWS a character like his or her dialogue, and how he or she says it!

Where I really go off the reservation though is setting, for actual setting and in terms of where the characters are from and how they speak. I intend to fully explain the whys and what-fors of this issue in posts I have already written and just need the right time to post (since I am busy re-typing/re-writing my two printed books for e-book formatting purpose for sale on Kindle, Nook, Lulu, etc). But for now I will sum it up–since my characters are in a rock band of the 80s and 90s, and since I grew up in the 60s and 70s when British rock reigned supreme for the most part (beginning with the Beatles), and since I spent about two months there in mostly the southeast (Brighton area) and also met three twenty-somethings from Tyneside (Newcastle, of course) and I just loved hearing that Geordie accent… Okay, you get the idea. But just to make it a bit easier for me to deal with creating these books, roughly half of the settings in all my novels are in the US, either New York City or California between LA and San Fran. I grew up on Long Island and lived in NYC. I have visited southern and central California and know several folks from there  (and my brother and his family used to live near Silicon Valley). A number of supporting characters are Americans. Finally, for the most part, my Brit rocker characters spend most of their time in the most affluent part of England, which just happens to be the part of England I am most familiar with–the southeast, including the affluent county called Surrey. Thus, one really cannot accuse me of not knowing the settings and the ways of speaking (though I do use slang words every now and then that are more American than Brit, and one big mistake I made originally in the printed books was listing the dates American style instead of Brit style: instead of writing ‘the 15th of July’ I wrote “July 15.’ Or used the term ‘called’ instead of ‘rang’ on occasion…any slang terms I screwed up in my first two books will be rectified, I hope, in the e-books.

Finally, as I will explain in my posts that will be posted as soon as possible, my entire life generally does not ‘follow the script,’ and I’ve been for the most part a non-conformist my entire life.

The Reality of Why I Wrote My Books–I Had To.

Divine inspiration–something!–caused me to go outside within the beauty of star-surging sky around midnight in the early 90s and receive a “message” to finally get those rock band characters out of my head and onto paper, and then computer. God? Angels? Spirits? Because it was not the devil or demons–the devil or demons would not want me to create a trilogy about a rock band fighting evil (and, after a miraculous event in 1997, accept Christ as Savior!).

Now my characters could not be goody-two-shoes-types or boys who could never do wrong or only sin occasionally. They could not be boys like we have out here in far west Texas that claim to strictly follow the Bible and wear jeans or regular pants and button-down shirts, having sisters and mothers that wear nothing but long skirts and their hair up in a knot…Mennonite, but not Mennonite. Folks, does a Christian writer have to write fiction only with “God-fearing” (or not) characters?

Now, a Christian writer can write what he or she wants and however God guides them, but darn it, before I truly became a believer in Christ I was a sinner. Period. I cussed like my characters do. I had sex out of wedlock, which is defined as fornication, I think. I also dabbled in the occult for a short time (until the occult scared the living daylights out of me!). I also dabbled in atheism, but, again, God made sure this wasn’t going to become a permanent mind set! I could spend all day telling how and what and why God gave me messages and events that set me straight.

And I will say again why my main characters make up a rock band–because growing up in the 60s, rock music was one of my main connections to the world and my friends and classmates and generation. Listening to the Beatles and others, watching shows like Ed Sullivan and music-act shows I cannot even remember the names of, reading in pop culture mags about this or that rocker, buying LPs–you know, vinyl records–learning and playing guitar and being for a short time in an actual rock band that didn’t accomplish much, but still…and having friends who dated other rock band members that also didn’t accomplish much… If not for that, my teen years wouldn’t have amounted to a hill of beans! I would have been a depressed teen-aged girl with no hope of ever fitting in. Being a non-conformist is fine, but being a non-conformist exclusively is never a good idea for a teenager. It is the teen and early twenties years where one must explore the world around them, and then make decisions–hopefully the right ones.

And my books follow that proper narrative: six teen boys discover their music abilities and talent and, given a lack of prim and proper upbringing, more or less, take advantage of that talent and aim at rock and roll stardom, fame and fortune, not realizing that stardom, fame and fortune are double-edged swords and can lead to evil. And, mirroring the reality of evil in the music business that I have done extensive research on starting in the 70s, especially as relates to the hidden agendas of those who ultimately run the business and still do today, I can honestly say that my characters and the story lines and plots of the Prodigal Band Trilogy accord with this research and truth regarding the business of recording and performing the music that has influenced young folks from the late 1950s onward.

These three novel works are partially based on factual events of which I will state in future posts on this site as well as my OmegaBooks blog.

I will now bring up one truth that appears in the Free e-book The Prodigal Band, as relates to ‘prayer rituals’ performed as the ‘master disc’ is produced–the master disc, both in the pre-digital age and today’s digital master age, is ritually ‘prayed’ over by the makers of the disc (recording artists, producer, engineers, and record label personnel, for instance). The link to the video below features John Todd, who, in the 60 and 70s before he became a believer in Christ, participated in these rituals as a big shot with Zodiac Productions. Zodiac Records, a major label in the 60s and 70s, had several top rock band acts. The link is below.

John Todd exposes master disc prayer rituals.

There are more videos on this topic as well on YouTube.

About The Prodigal Band Trilogy: The Theme-Good Triumphs over Evil

I began writing a book that would eventually work its way into three books that make up the Prodigal Band Trilogy–Battle of the Band, The Prophesied Band, and The Prodigal Band–back in the late 1960s in diary form as the characters morphed from just a group of guys in a gang or a clique, with or without girlfriends, living on Long Island-then-New York City, to rock musicians with or without girlfriends, living in England. Why the morph? Because of my own interest in rock music as well as actually having participated in a local band for a few months, and having gone to England in 1970, as well as the notion I had the rock bands from England were more worthy overall than American ones (and Brit bands were my fave bands anyway.) These topics have been discussed in previous posts here and on my blog.

The names and looks of the characters were created in the mid-60s with other characters being created in the mid-80s, which was when I started getting serious about the books, which was still just one book novel. But instead of a diary to write stuff that would later make up the book(s), I just wrote on notepad paper with pen.

In the meantime, I had a teaching job–more than one–and children, which of course took precedence over novel writing. Then came the use of an old 48K Atari computer that I typed ten chapters on, and, really, the whole thing was random…this character did this and that character did that and it was as if it was just a satire on the lives and loves of rock musician celebrities. It was funny, but meaningless in a way. At that point in the early 90s what I was typing onto 4.5 inch floppy discs was just a matter of getting these characters out of my head onto printer paper.

I do not remember the year–1992? 1993?–that I went outside one night and the spirit of the theme took over my head, “telling me” to remake the book(s) into a fight between the forces of good and the forces of evil. One problem–if this was going to be about a rock band, Brit or not, then I had to get with ‘the program’ so to speak because by the early 90s I had lost touch with rock music…the last I remembered was punk and new wave of the early 80s. Living in a rural remote area of far west Texas–where country music reigns supreme and rock music is considered by the hardcore fundamentalist Christians out here as some kind of devil worship (!)–I had no idea how rock music was evolving into what in the 90s was called ‘grunge’ or ‘rock-rap’ or ‘death metal’ or ‘emo’ or whatever. Until 1994, when I got a teaching job in a gang-ridden high school in El Paso. The job sucked, but the themes rustling around in the pop culture world of the high school didn’t. The majority of my students were Hispanic and at the time a female singer from south Texas, Hispanic–I don’t remember her name but she was huge among my students–was the rage, as was rap, especially among the few black students I had. But I did have some white kids as well, mostly children of Fort Bliss parents–these kids were into, primarily, Nirvana with Kurt Cobain–a major influence on my characterizations–and grunge groups like Nine Inch Nails and Green Day. All American groups–what happened to the Brits? Well, it turned out, I discovered, that the Brit bands from the latter 80s were still around.

And that, my friends, is why my fictional band, Sound Unltd, stemmed from the 1980s. Originally, they were supposed to be late 60s-70s group, but rock music had changed so much since then that I did not think it would be wise to make them a 60s-70s group.

Then, when I really began to get really serious after resigning the El Paso teaching job and moving back to the rural remote in 1995, I had a decision to make–just write a satirical book making fun of rock stars and celebrities with all the fun of sex scenes, orgies, drug use, and sex-drug-rock-n’-roll themes, or write a book or books exposing the fallacy so many who lived in my area believed to be true–that rock stars are all devil worshipers, and rock music was the ‘devil’s music.’ And more.

Around the same time, what with events like Ruby Ridge, Waco, and the Oklahoma City bombing–all around the time of a series of Satanic holidays beginning April 19 and ending with Beltane, Walpurgis Night, and May 1–and the so-called “Patriot Movement” against the so-called ‘New World Order’ (spear-headed by both Presidents George HW Bush with his 1989 ‘New World Order’ speech and Bill Clinton’s screeds about globalism throughout the1990s)–I felt it might be another good idea to incorporate an ‘Illuminati-CFR-Bilderberg-type’ organization into the mix, representing the ‘evil’ side…I mean, the symbolism they use–the ‘All-Seeing-Eye’ on the dollar bill and all atop a pyramid with the Latin phrase within-“ANNUIT COEPTIS NOVUS ORDO SECLORUM”–which means, “Announcing the Birth of the New World Order” (or some say, “New Order of the Ages.”). And, having read Biblical prophecy and growing more interested in the possibility that the so-called “end times” were getting closer to fruition, I figured this whole notion of “one world government” was not just some conspiracy theory, but getting closer–and who would lead this one world government? Those who clearly sought power and likely had the money to buy power–bankers and their minions in government and also the media and entertainment industries–and would willingly side with ‘the anti-Christ’ at the end.

Just a note here: the Biblical Book of Revelation, on which so much ‘end times prophecy’ is based, mentions three parts of the so-called “Beast System” which has to exist for all this prophecy to occur: the Dragon (Satan, or the Anti-Christ, or some person Satan/the anti-Christ inhabits), the Beast (which I suppose is a system that supports Satan) and the False Prophet (and there are all sorts of theories as to who or what the False Prophet is!). Thus, it is this notion of an evil system that provides the novel’s notion of ‘bad guys.’ And, according to prophecy, after the anti-Christ comes and sits in the temple in Jerusalem, the true Messiah, Christ–accompanied by a huge number of good angels–returns in the ‘second coming’ to overthrow the evil. Prior to this happening, all humanity must make a choice–side with evil or side with good.

And that, folks, is the overarching theme of my books–my fictitious rock band of world-wide renown must make that same decision before it is too late. The Prodigal Band Trilogy is their journey to that decision, and what they do with it.

If I Can Start Self-Publishing With Almost No Money in the Age Before Online Self-Publishing and Social Media, Almost ANY Writer Can Do It Today

I have been on the WordPress Writer/Author scene since mid-February, 2018, and have read dozens of posts by newbies and established writers-authors and bloggers who have advice on writing and self-publishing. Read the advice, but, folks, you have to figure this one out yourselves, even if you lose money in the process. I am what one would call a “tactile learner,” that is, I learn by doing.

For instance, I learned by foolishly trying to transfer a domain from BlueHost, who claimed to be ICANN registered but aren’t (or else why would they send me an e-mail stating I needed to go through whois@BlueHost.com, when Whois is part of ICANN? WHOIS LOOK-UP is indeed part of ICANN), that transferring a domain is a fool’s errand unless you already have done such a thing in the past and succeeded. So, all I could do was withdraw my complaint against BlueHost. BlueHost can throw my domain I paid for in the trash, or hand it over to some whatever for free. When the domain comes up for renewal I will not be renewing it.

Back to the original storyline.

In 1995, I completed my first book for print—there was no online e-book platform back then that I could access since we didn’t have internet until 1998 anyway. The novel is called Battle of the Band, and, in those days if you didn’t have one of the Big Publishers as well as a literary agent, you either spent thousands with a vanity publisher (a very bad idea…paying them thousands, while you STILL had to market the books yourself! And you also had to sell the books yourself!), or you spent your own money on setting up your own indy self-publishing company, getting your ISBNs, sending your book to the Library of Congress for registration (usually two copies), and paying to get the book printed. No problem—unless you unwisely got more copies printed than you knew you could sell on your own. In fact, I believe that was truly the only mistake I made: I got 1,000 copies (and over-copies besides) printed when I probably should have gotten only a few hundred.

By 1998, when I had completed the second novel in the trilogy, The Prophesied Band, I only ordered a hundred (plus over-copies), and because of that, actually made a small profit. Lesson learned. And, when we got the internet—dialup—I got with a company called BookZone, was interviewed by some BookZone woman, and sold some copies through them. But mostly, I sold copies on my own.

But here is the beauty of it: ALL copies of these two books were sold with NO ADVERTISING COSTS (at a very to cost to BookZone…they got minimal take from their sales, but that’s it)! The only advertising I did besides BookZone was showing up at buy-sell-trade events like the local Fourth-of-July festival or the Writer’s Conferences held by a local writer’s group called the Texas Mountain Trail Writers, or doing press releases in the local papers.

So I didn’t make much money with OmegaBooks back then. But I did get the experience of self-publishing through my own indy publishing company. And I did it when I was mothering and home schooling two young children. And other motherly and wife-ly chores. And not earning any money in the process other than some book sales.

Fast forward to today. After working five years as an office manager for the local Property Owners Association, I retired what with the kids in or out of college on their own. In 2016, I got serious and began on the completion of what has been posted, the FREE PDF novel, The Prodigal Band (which tells the whole story from beginning to end), (link). Because I had been working and saving money for this effort, I now have the funds at my disposal (and am on Social Security and Medicare—most of the savings I have made will go toward medical expenses, which are outrageous in the USA…and dammit if I need to I’ll get it done in Mexico! I don’t live far from the border). But OmegaBooks will get what is needed.

As I’ve said in other posts I had been rejected by big publishers and literary agents, so I had no other recourse but to do it myself. But now? Writers and authors, you do not even need a big publisher and you certainly don’t need a literary agent unless you’re a “celebrity” or something who likely doesn’t even write the thing! And don’t literary agents take a big swipe out of your take? Let alone big publishers? Go back to read (link) my post on how Stephen King got screwed before he became a celebrated author.

If you have the time to write, you have the time to set up your own company, your own website, your own Amazon or whatever account, your own PDFs (using Word or WordPerfect—both can now be immediately exported to PDF), get your own ISBNs and Library of Congress registrations for $55 (which guarantees your copyright against Adobe Acrobat-owning pirates who download your book, then steal from it trying to ‘copyright’ what they have stolen!) and DMCA-documentation as well for a measly six bucks! Also, copyright anything you put online or any portions of your online books on your sites. Put your book on a Cloud format (such as Adobe Acrobat DC Cloud or Google Cloud or whatever)? Make sure you copyright it for real and submit to the Library of Congress.

If a 65-year-old non-tech-savvy person can do it, so can you.

If you are Christian? As the song What a Friend We Have in Jesus says, ‘Never be discouraged, take it to the Lord in prayer.’

Being a ‘Non-Conformist’ Author: You Don’t Always Have to ‘Follow the Script’

In the mid-1990s I joined a local far west Texas writer’s group called ‘Texas Mountain Trail Writers.’ While working on the first printed novel I would call Battle of the Band, I needed ‘tutoring’ so-to-speak on absolutely what had to go into the novel to make it a legitimate novel, to market and sell the thing–that is, get some literary agent to ‘sell’ it to a big time publisher. No literary agent came a-calling, so I had to do it myself.

And this was what I picked up in all of these discussions and even annual writer conferences, which I will now list:

  1. ‘Show, don’t tell.’ Anyone who writes novels or books knows what this means. And I believe in ‘show, don’t tell,’  but there are times the ‘tell’ part has to be used perhaps  more than some would find acceptable, as I discovered finishing up my first book.
  2. Your setting must be a setting one is familiar with. After all, aren’t most of Stephen King’s novels set in Maine, where he is from? (And why do I always use Stephen King as an example? Because other than literary genius Kurt Vonnegut–from Ithica, New York (quite a few of his books are set in that part of New York state)–no writer has influenced me to write than the best suspense-si-fi-horror novelist in US history.
  3. Your characters must be from the setting you use that must be one you are familiar with.  Not all, but many of King’s characters are from Maine, or at least New England.
  4. Your characters, because you must know your characters–especially the main ones–must be part of you and even as you are. (Characterization)
  5. Dialogue–your characters must speak in a way that characters from a particular setting would speak, thus you must know how these characters would speak, which is why they ought to come from a particular familiar setting. Further, you characters must speak in a way that it is obvious for that character and the reader knows that is how the character talks. Use catch-phrases as well.
  6. Genre–this is the item that has and will give me the most headache. My books are not genre specific, but a mix of spiritual/satire/adult-rated R not X/horror/suspense/fantasy, so that could be why no literary agent touched my books–literary agents tend to be genre specific, or at least that’s what I was told by the first published author I ever met, a romance novelist (with plenty of the required ‘sexual tension.’)
  7. Theme–The only way I can describe any theme in my books is this: good triumphing over evil. If it isn’t ‘good vs. evil’ in fiction, then I am not writing it-ultimately, good vs. evil is the only issue that matters to me.
  8. Plot–Within the realm of the physical and mental and real and spiritual worlds, the plot revolves around an 80s-90s rock and roll band that, upon achieving great success, must choose their good vs. evil path, with triumphs, trials and tribulations along the way. Because they are ‘rock stars,’ they are ‘gonna do what a rock star is gonna do.’ Which is why these novels are adult–sex, drugs, and rock ‘n roll–and not young adult or Christian or rated G. Sorry about that, but if my characters are going to be real, they’re just gonna have to cuss every now and then, or engage in free sex–and one of my characters is bi-sexual, by the way.

Did I miss anything?

So, here is where I ‘go off the reservation’ so-to-speak. ‘Show, don’t tell’? Who gets to decide if you I don’t show enough and tell too much? Folks, I have NEVER read a novel without some ‘tell,’ okay? Read JRR Tolkein’s “Silmarillion’ some time…there is so much ‘telling’ in that book that one would think one of the greatest novelists ever couldn’t write a novel to save his life! But of course, he has to ‘tell’ about how the elves and what not came to be, from what heavenly spirits, and the rest. Then you have books loaded with dialogue–in fact, one friend-turned-book-critic once told me that my two printed books had too much dialogue! “Too much telling,” she told me. After all, dialogue is kind of like telling, right? In my opinion, however, nothing SHOWS a character like his or her dialogue, and how he or she says it!

Where I really go off the reservation though is setting, for actual setting and in terms of where the characters are from and how they speak. I intend to fully explain the whys and what-fors of this issue in posts I have already written and just need the right time to post (since I am busy re-typing/re-writing my two printed books for e-book formatting purpose for sale on Kindle, Nook, Lulu, etc). But for now I will sum it up–since my characters are in a rock band of the 80s and 90s, and since I grew up in the 60s and 70s when British rock reigned supreme for the most part (beginning with the Beatles), and since I spent about two months there in mostly the southeast (Brighton area) and also met three twenty-somethings from Tyneside (Newcastle, of course) and I just loved hearing that Geordie accent… Okay, you get the idea. But just to make it a bit easier for me to deal with creating these books, roughly half of the settings in all my novels are in the US, either New York City or California between LA and San Fran. I grew up on Long Island and lived in NYC. I have visited southern and central California and know several folks from there  (and my brother and his family used to live near Silicon Valley). A number of supporting characters are Americans. Finally, for the most part, my Brit rocker characters spend most of their time in the most affluent part of England, which just happens to be the part of England I am most familiar with–the southeast, including the affluent county called Surrey. Thus, one really cannot accuse me of not knowing the settings and the ways of speaking (though I do use slang words every now and then that are more American than Brit, and one big mistake I made originally in the printed books was listing the dates American style instead of Brit style: instead of writing ‘the 15th of July’ I wrote “July 15.’ Or used the term ‘called’ instead of ‘rang’ on occasion…any slang terms I screwed up in my first two books will be rectified, I hope, in the e-books.

Finally, as I will explain in my posts that will be posted as soon as possible, my entire life generally does not ‘follow the script,’ and I’ve been for the most part a non-conformist my entire life.

Back to Work…Summer Almost Over

I have had a reasonably successful summer either selling my Prodigal Band Trilogy   books or having many downloads of my FREE PDF e-book The Prodigal Band.

And I have had decent success with simply views of the various pages on the OmegaBooks  site in general as well as this OmegaBooks blog which I have not updated in a while. But I have been busy.

I am working on a “spin-off” novel featuring a minor character in my trilogy books, a fan of the ‘prodigal band’, called Bobby, born in Texas, living in California near the Bay Area in the fictitious city of Richmont. I have also been ‘beta-reading,’ so to speak, a work by a Christian author who has published books in the past as well. And keeping up with the latest news, political, spiritual, cultural, psychological, etc. And NFL season is almost upon us…I may get back to watching football again what with the anthem protest stuff pretty much secondary–if players want to protest it is their right, but just don’t insult your fans like a few players did last year (for instance: insulting your Cuban-American fans by supporting a man who wore a Castro t-shirt before his team played Miami in 2016 is kinda dumb, I’d say. Freedom of speech is cool–insulting your fans isn’t!)

It also pains me to report that WordPress banned a news site I really liked, Fellowship of the Minds, yesterday, for “violating terms of service.” I have no idea what terms of service this site violated because this site did not promote hate or violence, which would violate the terms of service. Nor did WordPress tell the holders of the site which term of service they violated. It is known that they did report on the Facebook etc. banning of InfoWars Alex Jones. Is that what got them banned? Because my non-book-oriented blog  here also reported on this in three posts on three consecutive days. Will this blog also be banned? Folks, in the USA we have what’s called the Bill of Rights, the first article of which relates to Freedom of Speech and Freedom of the Press, among others. Maybe this site did in fact violate the terms of service; I do not know how. But either they did, or WordPress is just following the lead of the other tech giants. A company called Automatic owns WordPress, and I have no idea who owns Automatic. I do know one thing: Fellowship of the Minds was run by a true Christian who called himself Dr. Eowyn. I do hope religious persecution was not the cause in this case. And they weren’t even Trump supporters!

In the next post I hope to explain more about my books characters and the why of them.

The Prodigal Band Trilogy: The Spiritual

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Moving on to the spiritual aspect of why I wrote these books…

In the fall of 1993, at night with the myriad of star-shine visions outside the house at night in the mountains, a view of the heavens, thinking some divine entity was hovering above, a thought came into my head, in my own voice, telling me that now was the time to begin to compile all the character and theme and setting and story and all the stuff I had carried in my head since the mid-60s. The time to write the novel was nigh.

The rough-rough-rough draft was written using an ancient Atari computer that used a very large floppy disk inserted into the hard drive to set up the system and then insert another floppy disk to write whatever. Don’t ask me the model of this Atari, I don’t remember. But computers in the old days didn’t have operating systems as we know them today…you had to insert a master floppy disk to get the computer to work, then insert another floppy disk for whatever you were typing on the keyboard, then copy the new work to the disk, which only had 48 KB in its “memory bank.”

Imagine! A floppy–and I mean floppy! These disks weren’t the plastic kind with metal parts that were 3.5 inches square, but 5 inch floppies without metal parts–could hold only one chapter at a time!

Since I was raising a toddler daughter at the time, I had limited time to do this work, but I managed to get the rough draft manuscript done by the summer of 1994 only to have to go back to work teaching secondary math–in El Paso, in what was then a ‘gang land high school’ and put up with not only gangster students but a principal that couldn’t handle gangster students (the ONLY time I noticed serious discipline in the hallways was the one week this so-called principal was at a conference in Washington, DC! During that week, the assistant principals and security guards were actually able to do their jobs, and not one student of mine tried sneaking out of class or wanted to roam the halls…the only time this happened!) After the kids went to bed at night, when I wasn’t grading tests or whatever, I edited the rough-rough-rough draft. I quit the teaching job in June, 1995.

That summer I began the actual rough draft on someone else’s Macintosh computer, from 6 am until 8 am, when I had to go back home to home school my kids. In fall of 1995 I bought my own Mac computer with System 7.5. When I had time, I finalized the first novel, Battle of the Band, which was completed in 1996–after a writer/retired teacher friend of mine Beta Edited the novel twice.

And what she told me through her proof-reading/editing caused me to think maybe divine intervention WAS at work in this first book:

  1. I did not know, first of all, that there was a direct shipping lane from Stavanger, Norway,  to the Tyne River in northeast England, where the band is from. The mother of the singer-character just happened to be from Stavanger, Norway! Coincidence?
  2. I did not know when I wrote the book that a “Laird McLeod” owned a castle on the Isle of Skye in northeast Scotland, so it seemed very strange to both of us that a “Laird McLeod” (correct spelling) in my book just happened to own a castle on that island! Coincidence?
  3. The fictitious city my band is from, Walltown, on that Tyne river, has an angelic statue of winged trumpeters, angels. I did not know in fact that a city across from my fictitious Walltown, called Gateshead, had as it’s main tourist feature an angelic statue! (but only one angel, not three angels, plus one could say it almost looks bird-like, but is definitely an angel.) Coincidence?
  4. The most important song in the book speaks of “…for my sweet love, to wear a golden crown.” This song came into my head in the early 70s. In the early 70s, tired of all the arguing by my parents over various Christian doctrines (my dad grew up Episcopalian; my mom grew up Catholic–they argued about the Pope’s ‘infallibility’ ad infinitum, among other things), I became agnostic. So I had no idea what that line in the song meant. When I became a committed Christian in the mid-90s, I finally figured the line out. That was when I knew that the ‘mission’ I was given had to be completed. Coincidence?
  5. In that same song is a part about Pleiades, a star system, Orion, another star system, and the Dragon, a constellation–which, by the way–coincidence?–contains not only Orion, whose belt ‘flays the fire’ of the dragon, but Pleiades as well! These three heavenly entities co-exist, which I had no idea about! The ‘dragon,’ of course, is mentioned in the biblical Book of Revelation as another name for Satan.  Pleiades, named for an ancient Greek warrior, ‘brandishes’ Orion’s belt to ‘flay the fire.’ How else could this happen unless all three heavenly entities were in the same constellation–and I had no idea of this when I wrote the words to the song–in the early 70s?

So let me sum this up:  I wrote a song about the ‘second coming’ of Christ as well as the coming so-called ‘great tribulation’ by Satan (and the ‘beast’ and the ‘false prophet’) prior to Christ’s second coming BEFORE I had any idea about such a Biblical event in the Book of Revelation I had NEVER read before writing the song! The same song which is the centerpiece of all three novels in The Prodigal Band Trilogy! Add to that the other ‘coincidental’ facts I had no clue about when writing the first book in the trilogy before my friend just happened to tell me were true fact I thought I had simply made up.

These things are just one reason why I believe a divine authority put it into me to write these novels. If it worked for the Blues Brothers

OmegaBooks Book Store Now Available!

 

Both Battle of the Band, published by OmegaBooks in 1996, and The Prophesied Band, published by OmegaBooks in 1998, are now available as printed novels through the OmegaBooks Book Store, by clicking here.

Notice in compliance with the new European Union GDPR rule regarding privacy rights:

This OmegaBooks blog is also part of the same PRIVACY POLICY established May 21, 2018, for my main website OmegaBooks.  The PRIVACY POLICY in accordance with GDPR can be read here.

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Costs for purchasing either Battle of the Band or The Prophesied Band, plus shipping:

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NO BULK ORDERS ALLOWED AT THIS TIME. Only single purchases, or purchasing both books on the same order, will be allowed at this time.

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Costs to purchase BOTH Battle of the Band and The Prophesied Band on the same order, plus shipping (and you can save on shipping as well!)

When you purchase both books at the same time on the same order you pay $15.00 for both instead of $20.00 in separate orders, saving $5.00. You also save on shipping through the United States Post Office.

United States contiguous 48 states: $15.00 plus $7.00 shipping

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The Prodigal Band Trilogy: The Why, Part 5

In Part 1, I stated why I became a writer-story-teller. In Part 2, I stated why the characters I made up were a gang and then a rock band. In Part 3, I stated why the rock band morphed into one from England, and in Part 4, why they were from northeast England, where the initial setting would occur. Now is Part 5, discussing the various changes I made over the next twenty or so years from 1970 until the final version of the first novel in the series, Battle of the Band, was published, that set the stage for the next two books, including the FREE PDF of The Prodigal Band.

In the early 1970s I had planned to write the story of a 60s band, but that made no sense since no prime plot was set, and why write a story about a 60s band when the 60s were over with and in the mid-70s the music genre was changing? And, oh yeah, the mainline pop music at the time was a genre I hated—Disco! And then in 1975 another rocker I had no regard for, Peter Frampton—remember him?—was suddenly foisted on us rock fans at the same time the early 70s wonder-kind, Led Zeppelin, was stagnating? Just as with today and my feeling that rock is dying or died with Chester Bennington and Chris Cornell resting in peace, I felt that by the latter 70s rock was dying as well. What was around was milquetoast at best (with a few exceptions like the Eagles and one or two others). Thank God for punk—the Ramones, the Cars, the Police and others. As I said, a 60s or a 70s band made no sense to me, and again, what was the over-riding plot?

And, oh yeah, I was in my mid-20s and had to support myself and figure out my life, right? That meant working full time, and then later, attending college, which I thought would help me figure out just what I was going to do with my life. So, from 1972 or so until about 1981 I stopped writing (except for college term and research papers).

In 1981 I graduated from a state university in New York. I had been accepted for a master’s degree/PhD at the New School for Social Research in the midst of New York City, a very expensive college, with the goal of getting a PhD in Psychology. Well, President Reagan screwed that one up by signing into law a provision whereby graduate students could no longer apply for Pell Grants or other grants, which was how I was planning to pay for college (and then there was the issue of getting room and board in New York City besides). I was NOT going to force my parents to pay for all this; they had just retired and moved to snowbird central, the Tampa-St. Pete area of Florida (where my mother’s folks lived). So, thanks to Mr. President, I had to put off my college plans, so I moved in with my parents in a nice retirement HOA home in a very nice subdivision with swimming pool, golf course, etc. But in 1982 I was hoping to head back to New School after having worked a several jobs. In the meantime, I began working on the band story again for a month or two. Then, in early fall, an event happened that would put the story off for years—I met my future husband, who lived in far west Texas, a beekeeper and lifeguard near the Oasis of far west Texas, mostly mountain and desert country. We married in a small Catholic church in a town of 600 people, then a couple of years later bought property in a local POA, then built a house there. In the meantime, I returned to college, Sul Ross State U, and got a teaching certificate in secondary math and English, then taught math in local high schools. In 1993 after having two kids, I got a Master’s Degree in Counseling, but never got a counseling job—my Spanish wasn’t good enough! (Note: I lived within a hundred miles of Mexico…).

So there I was…being a wife and mother and beginning to home school my kids and such in the middle of nowhere in the mountains in the early 90s and was no longer teaching (getting the Counseling degree in the meantime, then teaching a year in El Paso since we badly needed the income for various reasons I’m not going to get into here…but might be explained later in a non-fiction book I plan to write about an event that really happened in my neck of the woods in the mid-90s). One night in the early 90s—I can’t remember the year, but it was in the middle of autumn—I prayed and prayed for Divine intervention because I was feeling as if I must get these characters out of my head if I was to be a proper mother/teacher/wife, as if these characters haunted me. And that is why over the next couple of years the stories I had in my head became my first book, written on someone else’s Mac computer and then finalized on my own Mac computer in early 1996. Because of praying for Divine intervention, this book morphed into the spiritual genre.

Of course, that was the plan all along. Up next is the “how” of all this.

***

Download the FREE PDF The Prodigal Band here.

 

The Prodigal Band Trilogy: The Why, Part 4

The four of us—my friend and I and two college students—parked the van we rented in the overnight parking lot next to the ferry dock for the Isle of Wight to head for the Isle of Wight Rock Festival the following morning. Next to our van was another van, and next to us in front of that van were three men likely in their twenties that really only I spoke with, from Newcastle-upon-Tyne. Of the three, I could only really understand one of them; the other two had much thicker Geordie accents. No matter, the accent was fascinating (and, in fact, most English accents are somewhat fascinating). According to this Northeast England website,   this accent/dialect is derived from the Angles (not the Saxons) and is related to Celtic tribes that border Scotland. (In fact, all northern England accents/dialects derive from the Angles instead of the Saxons). Nor was this dialect affected by the Viking invasions and subsequent Danelaw kingdoms that were later conquered by the Normans. In fact, from the time of Robert the Bruce’s successful take-back of most of Northumria (above the Tyne, at the site of Hadrian’s Wall above the city of Wallsend) until England took it back in the 1740s, that area was part of Scotland. If you hear the Geordie accent, it almost sounds Scottish.

A couple of things note this accent/dialect: one, instead of “ow” or “ou,” they say “oo,” and instead of the long A sound, it sounds like the long E sound, a sharper long I sound and long O sound, the short “a” sounds like “aaa” or “ah,” and the short u sounds (as with other northern accents) like a cross between “u” and “oo” (for instance, take the “u” in “push”, but not quite the “oop” for “up.” And other different sounds. And more, such as the expression “to hell with it,” they’d say “to hell wi’t.”

And that, folks, is why my band fictional characters are from this area. The accent.

And the history as well. I mentioned Hadrian’s Wall before. Then, in the latter 700s (as seen on the History Channel TV series “Vikings”) Norsemen raiders from mainly Norway sailed, among other places, up the Tyne River and nearly took over the Kingdom of Northumbria. Later the area was Christianized and today there is a famous monastery in the city of Jarrow, also made famous by the “Jarrow March” of striking coal miners and ship-yard workers in 1926. Across from Newcastle is the city of Gateshead that features an angelic-like or winged-bird-like statue, near the entrance point to the world’s first suspension bridge. The point about the ‘angelic statue’ plays a role in my novels. One has likely heard the term “coals to Newcastle,” and of course this river is a major shipping artery for more than just coal. In fact, and I didn’t even know this until after my first novel was published, there is a direct shipping lane from the city of Stavanger, Norway, to Newcastle. This also plays a role in my novels.

So I kept all this in mind when I seriously started writing the Prodigal Band Trilogy.

***

For the whole story, download the FREE PDF The Prodigal Band here.

The Prodigal Band Trilogy: The Why, Part 3

Continued from Part 2, I said my ‘boy diary’ characters became a gang, but not a drug gang or a violent gang. Just a close knit group of boys, and all these teen boys had girlfriends. Remember, this was fantasy stuff in my fake persona diary that I kept, basically, because I loved writing and writing about a persona that was very popular among boys literally kept me sane (even if it seems as though making up fantasy personas seems insane! I will say this: I am sure any friends I had did think I was a bit on the weird side because I was such a non-conformist. And love of rock music was almost the only way I knew I could fit in with ‘the crowd’).

But, as rock music went psychedelic beginning with the 1967 ‘summer of love’ in San Fran’s Haight-Ashbury district, hippie central, and the release of the landmark Beatles’ album, Sargent Pepper’s Lonely Hearts Club Band—you know, the one with Aleister Crowley on the cover—I suddenly found myself absorbed in this music and decided I wanted to learn guitar. For Christmas in 1967 I got an acoustic guitar and a chord chart and a lesson book. Then in 1968 I got lessons from a teen around my age (16) who had his band, a neighbor. It turned out I could play an electric guitar much better than an acoustic one—the frets were narrower and the strings were closer together, a benefit to one with shorter fingers and a wee bit spastic in the ring finger who had trouble with chords that required outstretched fingers such as B, B flat, A flat, etc. So that I got good enough to play in this band as well as sing. Well, this got my ‘boy diary’ characters out of ‘just a gang mode’ and into ‘gang and rock musician mode.’ While the band I played with some broke up shortly, at least I got a taste of what being in a rock band was all about. By 1969, I had my fantasy boy rock band made up, and I wrote ‘stories’ about how they made records and toured and stuff.

And then came 1970 when a boy—he was pimply as all get up and curly blond hair and not exactly ‘A-list’ either—asked me out on dates, and even the senior prom. I turned down the prom offer, but at least I got to ‘make out’ so-to-speak. By then, I was ‘B-list,’ and working at an afternoon job at a local supermarket. Near graduation time from high school my best friend showed me an ad in the New York Times about a ‘university lecture program’ for students interested in European affairs from a British point of view at Sussex University near Brighton, which is on the English Channel and a seaside resort of sorts, with the added bonus of ‘living’ with a local family, as part of what was called ‘Inter-Teach.’ My folks knew I was somewhat an ‘Anglophile’ (thanks to Brit rock bands mostly along with a fascination for British accents…heck even American accents are fascinating to a degree), so they decided to put up the money for me to partake in this program as a graduation gift.

The program began in mid-July, 1970 and my friend (who had just turned 16 and I was nearly 18) and I and three college students and one HS freshman (we almost never saw…he was there solely for the education) lived in houses of program patrons in a Brighton suburb and attended daily lectures at the university given by three professors, one of whom was Welsh. In addition to  lectures we all did the following: saw a Shakespeare play in his home-town of Stratford-on-Avon, got coffee at Oxford University, saw several museums in London including one honoring one of my fave authors, Charles Dickens, some folk music festival near Guilford in Surrey, and various trips to pubs (without the freshman…while my friend and I weren’t quite 18 yet and thus weren’t old enough to consume alcohol, no one noticed that and for the first time in my life I drank warm beer. My friend and I also made a special trip to the northern London Hackney district so she could see her aunt, her mother’s sister, and her cousin for the first time (they lived in a tower block…at the time, Hackney seemed okay; now, it is supposedly an ‘Asian’ (read Muslim) district and there were riots there several years ago!). And various car trips with the family I stayed with.

We were supposed to leave England around the 25th of August, but my friend and I and two college students stayed an extra week or so. To attend the second Isle of Wight Rock Festival, Britain’s Woodstock (the other two on this trip returned without us) we learned about when we met some young men at some youth hostel or something. And no way was I going to miss a chance to see the Who, Pink Floyd, Traffic, Emerson, Lake and Palmer and many others. (Note: the final day, Sunday, featured Jimi Hendrix and Led Zeppelin, but we had to leave during that day, or else we never would have been able to return to the States in time—it took days for everyone to leave Woodstock in August, 1969, and this was on an island!)

The festival was wonderful and interesting, but that really wasn’t the best part of this extra-week stay. The best part was a trip by van (driven by a male college student who quickly learned how to drive on the left side of the road in the right side of a vehicle!) into and around Wales, including the Cambrian Mountain area (spending a night at a bed and breakfast in said mountain area), then onto Bristol and Bath—named for ancient Roman hot baths—then onto Stonehenge, then onto South Hampton (or was it Portsmouth?) for the night to take the ferry to the Isle of Wight the following morning. So we spent the night ‘camping’ by the van, but before I went to sleep in the front seat of the van I had a very interesting conversation with three men in their twenties that spoke with that very strange accent I mentioned in my last post.

 

Ready to read the FREE PDF The Prodigal Band? Download it here at the download link.

 

 

 

 

 

The Prodigal Band Trilogy: The Why, Part 2

Continuing from Part 1, here, no boy would dance with me in the public school gym on rainy days, so I pretended they would using a fictional diary character, a “new persona” so to speak, just to make myself feel like I was okay and not the ‘D-lister’ I imagined everyone else thought I was. I didn’t even think my neighborhood friends thought I was up to snuff (and I don’t mean “snuff film snuff” either! If this happened to day I’d have been called a “geek” or “emo”). Four of the fictional diary boys later became four of my Prodigal Band fictional characters.

But in late December, 1963, before school was let out for Christmas vacation, I noticed a magazine picture on a shelf along the blackboard wall headed out the door. On the picture were four young men dressed in dark-colored suits and long-ish hair…back in those days boys or men generally had either crew cuts or short hair not below the neck line. These four men had much longer hair than I was used to seeing! The name or title above the men was written as “The Beatles.” Well, that was it, no other mention by any other student that I’d heard. And I had no idea who put this picture on the shelf, or why. The teacher was in her 50s–certainly she wouldn’t have put it there!

Then Christmas came and wouldn’t you know it but my  older brother got two Beatles albums as a gift! (Did he put the picture there? Likely not, he was already in High School. But clearly he’d heard of the Beatles or else why would he request Beatles albums, LPs back then, for Christmas?) So he let me listen to both; one was Introducing the Beatles featuring ‘And I Love Her’ and several others I can’t remember, and the other was Meet the Beatles featuring ‘I Wanna Hold Your Hand’ and “She Loves You.’  Well, that Meet the Beatles LP just blew me away, especially ‘She Love You’ (Yeh, yeh, yeh…) Now THAT was rock and roll! So, I became an instant Beatles fan, and nearly went crazy when I watched them on the Ed Sullivan Show in February, 1964. And then went even more nearly crazy when I saw the movie, A Hard Day’s Night, that summer in a nearby movie theater.

But it wasn’t just the Beatles. By summer, 1964, the so-called ‘British Invasion’ was in full swing and pretty much took over the airwaves from American acts by then. After the Beatles came, in spring, the Dave Clark Five (who I actually got to see live in early 1965), and other Liverpool groups like the Searchers and Gerry and the Pacemakers; then in summer, the Rolling Stones and the Animals; then in fall, Herman’s Hermits and the Kinks. Then in 1965, the Hollies and the Yardbirds (both of which would lead to even greater things with Crosby, Stills and Nash and Cream and Led Zeppelin).

Note about the Animals: ‘House of the Rising Sun’ originally by Bob Dylan was one of my fave songs back then, and, when I saw them on the Ed Sullivan show, he interviewed them after they performed and what got me was that while I could understand what the Beatles were saying (they of course are from Liverpool and speak ‘Scouse’), I could barely understand what any of the Animals were saying! They were from Newcastle-upon-Tyne and had a very strange accent! And, in a later post, I will explain how I became fascinated with this strange accent, called ‘Geordie’.

But as for my fictional diary characters, since I didn’t know squat about how rock and roll bands did things and couldn’t play guitar then anyway, I didn’t yet have them form some fictional band–they became a gang. American, of course. Didn’t know squat about England–yet.

The Prodigal Band Trilogy: the Why, Part 1

As I have said in previous posts both here and the main OmegaBooks site I began my journey as a writer of fiction around the age of 8 or 9. I was returning home, on Long Island, New York, with my parents and older brother in a car from a visit to my grandparents (mother’s side) who lived in Mount Dora, Florida (about 20 miles from what was then Orlando). It was the summer of 1962; thus, I was 9 at the time. And I just happened to bring some non-lined notebook-sized paper and pencil with me. The paper was folded in half, width-wise, and looked like a “paper back book.”

Glad I brought the paper and pencil, because I was bored. I do not remember what my brother, in the back seat with me, was doing–he was 14 and likely listening to transistor radio up to near his ears (and folks, before the Beatles came along, pop music was very very boring, cutesy-wootsey “love songs” and other meaningless tripe about teenagers falling in love. From the time of the plane crash of Big Bopper, Ritchie Valens, and Buddy Holly in 1958 until the Beatles in 1964, “rock” music, if you could call it that, was IMHO, tripe. Dion and the Belmonts and Del Shannon and perhaps the Four Seasons were about as good as it got, and who the heck was Elvis? But anyway…) I had no idea what my parents were doing.

This was my first journey into the “deep south.” And the only thing I knew about the “deep south” related to the Civil War and the abominable institution known as slavery back then. There were times along Route 301 or even what was then I-95 when I would see what were called “negro shacks” along the way, plus we all visited some Civil War Confederacy monument somewhere, can’t remember. Now I was a “buff” so to speak of Civil War history. So I decided I was going to make up some story about this kid in the South during the Civil War who, along with his friend, a black kid who had been freed from slavery somehow and lived with the kid and his family, hated the south and slavery! So what he and his friend did was help the Union Army blow up a Confederate “ammunition dump.” And they did. I did not mention the state the kid lived in, or even the kid’s family name, but I called him “Johnny Reb” and the black kid was named Sammy. So, I named a kid who would blow up a Confederate ammo dump Johnny Reb? When my dad actually read the “book” (named “Johnny Reb” and was about 20 pages long in pencil) he brought up this irony! After all, weren’t the Confederates called “Rebels”?

Around that time I also had a diary–didn’t all young girls have diaries then? So, there I was in late 1963 just starting to have any interest in the watered-down “rock and roll” back then. When it rained outside, and in the Northeast US, home of “Nor’easters,” it almost always rained some in the fall and early winter, the public elementary school kept all the students in the gym after lunch, too wet to play outside. I was in sixth grade at the time and, not being popular so-to-speak, no boy wanted to dance with me. So all I did then was listen to whatever 45 RPM record discs were put onto the record player. Not being a ‘A-list’ or even ‘B-list’ (more like ‘D-list!’) that’s all I could do as most of my friends were dancing on the gym floor with boys whom had asked them to dance. Well, I had to try to ‘fit-in’ somehow so, even though I thought the music was boring tripe, I pretended to like it anyway. Thus, in my diary I would make up stuff about myself–in terms of a fiction character I can’t even remember the name–being popular and folks like Chubby Checker or Frankie Valli (spelling?) wanting to ‘dance’ with me (not knowing the actual hidden meaning of ‘dance’ at the time…’dance’ was code for a certain ‘f’ word if you know what I mean!) And of course I made up the boy characters as well. And named them the same names I have used for the original rock band characters in my books! (Note: the band concept came about in the latter 70s, and then I added two more band members, then deleted one of the originals in the 80s only to put him back in during the 90s). The reader is going to have to wait to find out the names of the characters for a bit.

Or, you can find out now by downloading the FREE PDF e-book, The Prodigal Band.

This site is now the OmegaBooks WordPress Blog site

After about a month of trying to get BlueHost to give me back my domain “omegabooks.com” and (using ICANN and Whois as excuses for not doing so!) failing to get the domain “omegabooks.com” back, WordPress handed me a “reprieve” of sorts by letting me set up a new domain, omegabooksnet.com from where one can download the FREE PDF e-book, The Prodigal Band, as well as (soon) purchase the printed books published in the 1990s, Battle of the Band and The Prophesied Band. For the last three weeks I have been getting the site prepared for this adventure in Independent Publishing and marketing. Today, April 30, 2018, I was able to get the site presentable, and also get The Prodigal Band registered with the Library of Congress ($55 fee).

Since omegabooksnet.com is now the official OmegaBooks site, this WordPress blog site will be the BLOG for omegabooksnet.com where I will discuss how and why I began the book series in the 90s, the creation of the characters and scenarios and such. Since I have deleted the “blog” and “book” pages previously at the top of the page in the “menu,” I am re-posting the original “blog” article, below.

Chapters of Three Books will be added soon.

UPDATE: The “chapters” will be added to the Battle of the Band page on omegabooksnet.com, The Prophesied Band page on omegabooksnet.com, and the The Prodigal Band FREE PDF page of omegabooksnet.com, and in fact, the Prologue has already been added to that page!

Chapters, or rather, parts or sections of chapters, will be posted in the “Book” menu section soon, and here at the “Blog” I will discuss what was posted and why I posted what I posted. If one is a certain spiritual bent some of the words posted might offend. Sorry. But anyone who believes a writer can’t develop a character’s way of speaking or way of living in order to prove a point later has likely never tried writing a book let alone develop book characters.

Notice (if you have read the home front page) the use of the word “Band.” Gee, guess what kind of “band” I am talking about? Growing up in the 1960s? Now, what kind of bands predominated in the 1960s…and the 70s and the 80s and the 90s and the 2000s?

Rock and roll bands? Yep. (Note–I am white. If I was black they might be rap groups or “soul” groups or Michael Jackson-types)

Meaning, guess what the main characters are? Rock stars. Yep, sex, drugs and rock and roll, with some cussing thrown in (BTW, I almost never cuss, and do not use the “f” word…my characters do. Sorry.) But when I was growing up, the one thing I had in common with boys and girls of my generation–I grew up on Long Island, not some far west Texas ranch run by a fundamentalist Christian family where girls always wore dresses or skirts and boys always wore button-down long sleeve shirts and jeans or nicer pants for church led by a fundamentalist preacher–well, the one thing I had in common was love of rock bands and music (really, that was the one thing that kept me from being “D-list” in high school…I actually made it to “B-list” by my junior year! And I even tried out for a couple of local rock bands–they were all over the place! I will discuss that at some point). So, about the only way I “conformed” to kids my age was listening to rock music and discussing or seeing various rock groups (I never did see the Beatles except on TV. Oh well.) So, there I was a writer of fiction from the time I was 8 or 9…seriously.

Now I could have written about just average teenagers. But I wanted characters a bit more exciting and “push the envelope” than just young folks like me. So I developed the characters I developed and, over time, they became rock stars. (Keep in mind, I was pretty good at electric guitar and could sing at the time. Meaning, I wanted to be a rock star though I am female and there weren’t very many female rock stars then.) Since I never did become one, I figured, well, if I didn’t become one, maybe I could write about one? Or a band that (fictionally) made it big?

So, there I was in the mid-1990s when an extraordinary experience happened to me in the mountains and deserts of far west Texas, where I am now.

More later.

Fun With Words–Six (or more?) Nations With English Word Names–Can You Name The Other Five? Hint: Greece is one of them.

As far as I can tell looking at all the names of nation on Earth, only six nations have words common (or not so common) in the English language for things or items. Such as Greece, which sounds like the English word “grease.” Two nearby nations (to Greece) also fit the narrative. The other three are not so near to Greece and two of them are not common words, but they are words in the English language.

No people names (such as Israel, Jordan, Georgia), no two word nation names (such as Czech Republic), no nation names made up of two English words (such as Denmark or Iceland) and no colonies, commonwealth, overseas territories or island groups such as Micronesia are allowed. And while Greece is officially called the Hellenic Republic, the name “Greece” is what it is known as.

Can you name the other five? Have at it in the comment box below.

Unable to Transfer Domain from BlueHost–Head on Over to OmegaBooksNet on WordPress–soon to be my Book Selling Site!

Well, BlueHost is “unable” to transfer my omegabooks.net site over to WordPress either because they screwed up or I did (and I think we both did, but here’s the thing: I am 65 years old and no techie…web hosting has gone from the old days on BlueHost with html code and c-panels to today hosting with thousands of gadgets I have no idea about…fortunately I do know something about ‘JetPack’!) I have explained all about the ten hours or so I wasted yesterday, Thursday, April 12, talking to BlueHost techies on the phone or WordPress techies through online chat. And I will say this, the WordPress techies are better than the BlueHost ones! Since BlueHost DELETED my domain after I unlocked it and got the EPP code…well, read the rest of the story here

Since this will become a Premium plan domain site in the next couple of days—folks the weekend is coming and sometimes things you do on websites don’t work too well on weekends (I mean these online chat folks need time off too you know!)–the site ‘omegabooksnet.wordpress.com’ will some become (I hope, unless ‘trouble’ happens again!)  THE site where one can access my FREE PDF novel The Prodigal Band as well as access buying my other printed novels, Battle of the Band and The Prophesied Band.

Cheers to all followers, comment posters, and likers of posts on both websites.

Domain Transfer in the Process…What a frustration!

First off Bluehost, the previous web host, would not unlock my domain automatically and it took talking to a customer rep on phone to unlock it, and then I had to get something called an EPP code which would expire in fifteen minutes from the time I received it, and I was about to cancel the whole deal on my credit card (but since the charge is “pending” they wouldn’t cancel it until about a week from now….) so since WordPress doesn’t have customer reps by phone I had to use the “help” deal which usually didn’t answer right way, but this time it did!

Talk about screeds!

But anyway, I got a hold of a very very good customer rep who actually walked me through the whole process (and I could use the EPP code I was given an hour before). So now all I have to do is wait for WHOIS to verify that I want to send the domain to WordPress! Gee I hope I don’t get error messages like I got from BlueHost!

Word to the wise: if you want a WordPress domain, register it through WordPress!

Researching Merchandise Payment Options for My Small Indy Publishing Outfit

In preparation for transferring the domain ‘omegabooks.net’ to WordPress from BlueHost, there has to be a way for OmegaBooks to also sell the printed books on hand so as to have the money to keep this business going and print the next book which will conclude the Prodigal Band Trilogy and will be called Band of Glory (to be published and printed in 2019 after I finalize it).

Right now I have two-thousand plus dollars set aside for OmegaBooks. (The rest is for possible medical emergency expense and ‘needful things’ if you know what I mean, like my headache med or a new pair of sneakers–I love to hike where I live in the rural remote.) Since it costs roughly one thousand to print a book (because while offset is cheap, covers are not!), and WordPress charges either four dollars or eight dollars a month for the site plus domain fee per year–and I know there will be other costs down the road, that only leaves about a thousand for whatever. Meaning, if I am going to see my other two printed novels online, I must have rather inexpensive options.

In doing the research I found what are called merchant accounts and eCommerce Platforms. While WordPress does have a monthly site plan of $25 which includes an eCommerce Platform with easy merchant account set up for credit and debit cards as well as ACH e-checks that go directly into a bank account…well, folks, that $25 a month right now is a bit much when, at the beginning at least, I figure I’m likely to sell just a few books per month at first. Marketing and advertising takes time (and money), right?

I looked at Free Web Store and yes, their services are free with no catch. Oh, wait. If you are going to accept credit cards (and I have no way to accept credit cards since OmegaBooks does not have a business bank account (since I’m not going to do the DBA thing), fine, but you still need an ‘eCommerce Platform’ such as Big Commerce or Shopify (with, guess what? $25 a month fees! Shoot I might as well buy the WordPress package!) to process the credit card payments (all that necessary security and all, and it’s ‘the law’ and all…it’s all about the money, right?). So that while the ‘merchant’ set up is free, the processing set up is not. And what if you want to do ACH e-check automatic deposits into your own bank account? Well, guess what, folks, you need their ‘premium’ package. when I see the word ‘premium’ attached to anything I think ‘not cost effective’!

So then while you can have a ‘free’ merchant account you still need a platform, and I investigated several of those as well. Authorize.net was the cheapest that I found. Woo Commerce was the platform used for BlueHost and was one reason I dropped BlueHost–I could NOT set the platform up properly, as if the site would not take my information! Two others, Shopify and  Big Commerce    are really for businesses that tend to sell out–the two platforms are too expensive at this time, seemingly over one hundred dollars a month!

So, if I figure I am only (at this time anyway) going to sell a few printed books per month, why not EBay and its payment platform, PayPal? Now believe it or not, I have actually–many years ago!–sold some of my books on EBay using PayPal . Since at this time I figure I will only sell (using the ‘Buy it Now’ meme) a few books per month in random fashion, then EBay–where I can set up just a regular individual account–is perfect, and, since I have already used PayPal payments which went directly into my bank account without all the merchant-eCommerce platform stuff, then PayPal is also perfect (just watch out for phishing scams!)

And it is just as easy with Amazon , and I don’t mean Kindle. All I have to do is send cases of my printed books to the nearest Amazon distribution center (for a goodly cost no doubt) and get with their AmazonPay system, which is about as inexpensive as Ebay’s or PayPal’s. They do get their ‘cut’ so to speak but it is a small percentage and a small processing fee.

So that, over the course of the next couple of months I will be setting up a system to sell my printed books, Battle of the Band and The Prophesied Band using both Amazon and Ebay. We’ll see how that all works out. Plus, if you don’t want to deal with Amazon (and I wouldn’t blame you the way Amazon treats its warehouse workers!) or Ebay, I will sell you books from my house as long as payment by check or money order is made AND cleared by the bank–once the check clears, I will send you the book or books with a five dollar shipping charge added (I will NOT ship overseas or outside the US. Shipping to Alaska or Hawaii will cost the buyer ten dollars instead of five dollars).

As for the FREE PDF of The Prodigal Band, that can be either e-mailed or downloaded from the Adobe Cloud when I upload it. I’ll let you know when that happens. Plus I will be putting samples of the ALL the books (print and PDF) on the site under the home page and ‘book’ link above.

 

Domain ‘omegabooks.net’ Will Be Transferred on April 12, 2018

That’s the WordPress rule, folks. I could “map” the domain earlier but the rules for this are too complicated and I have no idea what they are talking about. Gee if Bluehost was like it was 15 years ago when I had a domain there and not all this gadgety nonsense, I wouldn’t have this problem!

In the meantime, since ‘omegabooks661683099’ will just be transformed into ‘omegabooks.net’ I might as well get the ball rolling anyway by putting up more info about my books. Starting tomorrow or the next day.

Hope you had a ‘happy’ Resurrection Day, aka ‘Easter.’

Omegabooks.net coming soon–Parked Bluehost site moving to WordPress very soon.

Just go toff the phone with Bluehost, the previous web host for omegabooks.net, and the domain is being transferred in the next few days.

Sorry for the lack of posting but I am finalizing the FREE PDF of “The Prodigal Band” for downloading and advertising using WordPress. It may take a while to get everything set up but for now let me just say that “omegabooks.net” should be active in a few days.

Thanks for your patience.