About the Prodigal Band Trilogy-Main Characters-Part 5: the Good

If there is a large number, or a cabal, of evil-doers in my Prodigal Band Trilogy, then there has to be those on the side of good. Good people, good spirits, good angels, starting with God, known in my series as:

The Creator: Also The All Mighty, The Creator, and the One we call God, Who rules all schemes. That is a direct quote format least one of my books. The Creator, Who rules all schemes, in the case of my books, has His helpers. Just as the Evil, Corion, has his helpers, spiritual and human.

The Tooters: Here is an interesting fact–I named these good angels The Tooters, the 70s, before I even knew anything about God’s angels “sounding the trumpets” in the Biblical Book of Revelation! But I named these three angels The Tooters because I had seen several angelic statues seemingly blowing trumpets in several places. And it was this notion of angels blowing trumpets or horns that helped drive my narrative of angels battling demons to put out a fire which burned an entire city in the year 1136 AD. (Why that year? I have no specific reason other than the 1100s in English history presents a lot of turmoil and a lot of peasant revolts many years after Norman Conquest. A conquest by a foreign power almost always has serious ramifications many years later, especially in a place such as England which was, from the Roman period until the 1200s–nearly a thousand years!–under constant threat of conquest: Romans, then Anglo-Saxons, the Vikings (Danelaw), then the Normans.) While The Tooters are a granite three-part statue, this statue is the portal or gateway through which the evil Demons first arrived that year and through which the three good angles then appeared, put the fire out, and prevented the Demons from returning to their Abyss–as they prevented the Demons, on God’s orders, from ever doing such a thing again. They would also keep Corion in check.

Morwenna, aka ‘the Witch of the Hovels’: As ‘the Witch of the Hovels’ (called that by locals who believed a ‘witch’ inhabited the Hovels, a slum for the indebted), she was a spirit that existed as a human at various times when necessary. As a witch, only chosen individuals could see her, hear her, talk to her, and feel her. When necessary, the witch was the human, Morwenna, who could be seen by all, but still would only contact those chosen by The Tooters for contact. As Morwenna she was young, but would grow old to the point where she became a spirit being.

Why female spirits, when the Bible says angels were the ‘Sons of God’ and were male only? In my original printed versions of both Battle of the Band and The Prophesied Band, I made a serious misinterpretation of the Bible with Zechariah 5:9, which talks about female spirits, and since Babylon is also referenced, I now assume these were evil spirits as with the Whore of Babylon in Revelation 17 and 18. In both books, The Tooters appear to be female due to this misinterpretation (and several Christian friends who I had review the first book pointed this out; still I refused to listen and put female Tooters in the next book!) That mistake was removed in The Prodigal Band. Still, I decided to keep Morwenna female, as ‘witches’ are considered female, and who is to say those female spirits in Zechariah 5:9 are truly evil?

In any case, both The Tooters and Morwenna are the guiding forces for my fictitious band to seek truth and good, and renounce evil.

And then there are the narrators, one of whom is an angel in human form–the Bible references angels in human form in many places: the angels who spoke to Abram/Abraham, the angles who prevented Lot from letting sexual perverts into his house before Sodom and Gomorrah were burned, the fallen ‘Genesis Six’ angles who mated with the ‘daughters of men’ and thus created ‘the giants’ (called Nephilim), various angles such as Michael who spoke to Biblical prophets such as Ezekiel, Gabriel, who told Mary she was ‘with child’ (Jesus) before she even has sex with Joseph–all of these angels presented themselves as male humans.

Jay Elliot, also known as the ‘Counselor Angel’ is the narrator of The Prophesied Band while being a Rolling Stone free-lance reporter (and Counselor Angel in Battle of the Band). Among other human jobs he has, he is the one that tries to convince the fictitious band, Sound Unltd, that they are ‘the prophesied band’ heralded in a previous hit song of the early 80s.

Lloyd Denholm, fully human and also Christian, is another Rolling Stone writer who eventually gets to help the band see righteousness, with Jay Elliot’s help. It begins with Denholm debunking the notion made by phony Christian preachers that Sound Unltd are ‘devil worshipers’ (a notion that gets repeated over and over when it comes to actual rock stars–sorry, they may want fame and fortune more than anything, but that doesn’t mean they are ‘devil worshipers’! Some are, of course, but not all, and, further, even rock stars are capable of repenting and accepting Christ. So there!).

Those notions are part and parcel with my book series–to speak of how and why we all need to accept Christ as Savior (Christ, not religion) and why ANYONE, even evil people, can repent and accept Christ. It is my job, not to actually convert anyone, but to try to get folks to consider it, and the benefits thereof. So far my FREE PDF e-book has been downloaded hundreds of times by what my stats tell me, so that’s a start.

Conspiracy? Talk About Evil Characters!

A great big oooops! here. The Prodigal Band Trilogy has lots of evil or bad guy characters, but I never listed them in the original post about evil characters! In going through past posts I realized I never posted this list of evil characters! Sorry about that! So here goes…

In a previous post here that was posted last December,  I explained that since the overriding theme of my series is the battle of good vs. evil, there had to be an evil side as well as a good side, and that the evil side would seek to rule the world in order to set up for the Biblical ‘end times’ and the coming of ‘the anti-Christ’ to deceive the world and especially those who claim to believe in the coming Messiah. So that this evil could rule the world, the world must be united and in peace under a global system (called ‘the Beast system’). I have no specific idea exactly what this system will look like, but, as it is a system set up by the arch-deceiver (the ‘anti-Christ’), it will be a deceptive system that will deceive many and cause some believers in Christ to ‘fall away.’

Who will usher in this evil? The most likely group of people who will do this according to Satan’s agenda are the world’s elites, the powerful and wealthy, because they would be the obvious choice for such a task–they love money and power, for the most part, above all. Who else would Satan choose? Satan is the fallen angel who wants to be like God and actually be God (see Isaiah 14 and ‘the five I wills’)–in other words, Satan seeks power. And who has the most power on Earth? Those with the most money, and those who control the money, are the most likely people to be used by the evil to thwart the good. These are the owners of the private banking cartels as well as the world’s central banks; for instance, the Rothschild banking dynasty. Further, those with lots of power and money are much more likely to believe they are entitled to control everything, including popular culture. Popular culture is one way the evil side is able to ensnare the world’s youth. This is especially true in a world in which even the good side has been corrupted and confused and thus much less likely to ‘call the youth’ to Christ.

There are two aspects to this side, the spiritual and the physical or reality-based. Spiritual darkness and its human minions that do its bidding.

The spiritual darkness is led by a fictitious ‘Celtic god’ called Corion, the name of which is based on the configuration of the Dragon Constellation in which the Pleiades star system and Orion’s Belt (as part of the Orion system) are located; Orion is on the outskirts of the Dragon and looks as if it is ‘fighting’ the Dragon. The fictitious ‘Satan’ figure is named ‘Corion’ based on its connection to Orion. But here’s the thing–I did not know any of this when I ‘made up’ this character name! I truly believe God led me to call this evil by this name. Corion, who was cast into an Abyss by God after the fallen angel rebellion against God failed, is aided by three Demons:  Gold, Silver, and Bronze. To ‘see’ in this dark Abyss, Corion is given by God a ‘red crystal sight’ that is eventually stolen by the spirit of a dead High Priest of a fictitious Celtic cult in Wales that was conquered by the Romans around 50 AD. (Note: While Emperor Claudius did conquer Briton proper and the Celts there, I do not know how far this conquest covered Wales. The Emperor Hadrian had the famous Hadrian’s Wall built just north of the Tyne River many years later to keep out the unconquerable Scots (Picts))

The name of this High Priest is Crynnwagg (an actual Welsh name) and Crynnwagg’s cult is called the Crag-Dwellers (crags are rocks or rocky structures). The famous Druids of Wales (the supposedly Satan figure here is Samhain, a leading figure in the Hallowe’en rituals and is of Druid origin) are enemies of the Crag-Dwellers, who eat captured Druids and drink the Druid blood, thus are cannibals. After Crynnwagg steals the red crystal from Corion within the netherworld, Crynnwagg returns to life using the power of the crystal and whose spirit keeps on inhabiting different people through history for well over 800 years. Two prominent characters the evil spirit of Crynnwagg takes over through the power of the crystal are Swami Negran from India, and Cole Blessing, an American healer. Note that I chose a man from India for this since New Age cult leaders of the past have come from India. It is Negran and Blessing that ensnare my fictitious rock band Sound Unltd into doing their dirty work on the youth, in return for fame and fortune and all the trappings thereof.

There are five prominent human men who serve the spiritual darkness, and, just as the globalist ‘new world order’ being ushered in today is led by various supposedly ‘secret’ societies such as the Bilderbergers and others, my fictitious globalist secret society is called the ‘Novordo Club’ (Novordo stems for the ‘Novus Ordo Seclorum’ theme on the dollar bills and means ‘New World Order’ or “New Order of the Ages.’), as well as the fictitious UN body called the ‘World Youth Cultural Council’ which seeks youth culture conformity and a supporting NGO foundation called the ‘World Community Artists Foundation’ comprising youth culture celebrities who support globalism. Then there is the spiritual arm of this grouping called the Hellians (prominent in The Prodigal Band) and its subgroups, two of which are called ‘the Slake of Satan’ and ‘the Inner Sanctum.’

While various groupies and even fellow rockers are in these groups, the five prominent men that ‘rule the world to Corion’s specification’s are as follows:

Baron Torquay-Lambourgeau: No disrespect for the English town of Torquay and the residents of today’s French province of Normandy where (from my research) the name ‘Lambourgeau’ is fairly prominent. This character heads the evil secret society the Novordo Club as well as the Hellians, is the son of a blood-drinking Vlad-the-Impaler-Count-Dracula-type Satanist, and whose son, who has disavowed evil, is the manager of the fictitious band Sound Unltd. He has a direct line to the evil god Corion and is one of the chief minions. He is also a banking cartel owner and somewhat based on the leaders of the Rothschild banking dynasty. Due to the conquest by William of Normandy in 1066 of England, I thought it was only proper to make this character of Norman descent.

Marty, the Duke of Effingchester: This fifteenth Duke of Effingchester is a direct descendant of the evil Duke who, in 1136 AD, called on Corion to send Demons to burn his city to the ground in order to put down a peasant revolt. In the 1100s through the 1300s, England had many peasant revolts as serfdom was heading by the wayside to be replaced by farmers called ‘yeomen.’ In return for the Demons putting down the rebellion, this Duke was forced to give a blood oath to the god of evil while being forced to keep the defeated serfs ‘forever in debt.’ Finally, the name ‘Effingchester’ is indeed based on a certain cuss word!

Paul Xavier, Mr. X: ‘X’ is a music and media mogul who owns Time Communications, one of the world’s largest media conglomerates (it is not co-incidence that the name ‘Time’ is used. Not insulting Time Magazine, however, even if it is one of the more well-known mainstream media organs.) ‘X’ is a top member of the Novordo Club and Hellians.

Haikaru Yakimoro, Mr. Y: ‘Y’ is Japanese, and, because Japan is Asia’s most westernized nation and a tech giant of sorts (Samsung, Toshiba, and connected to SONY–a record label that has under its belt some of Asia’s best known rock bands such as the Gazette and others), I decided to make this character Japanese.

Rodney Davis: It is fairly well known that touring rock bands, using their roadies, “muled” drugs while on tours for organized crime, Mafia-like drug bosses, and the like in the 60s and 70s. At a Led Zeppelin gig at Madison Square Garden in NYC in 1971, I remember seeing roadies and others selling marijuana and cocaine and perhaps other drugs to gig audience ticket holders before the concert began, and someone in one of the mezzanines we were in tried to sell us illegal drugs. (Not picking on Led Zep here, but this really happened!) Rodney Davis was an American who worked for a Mafia drug lord who forced my band to “mule” drugs in order that they would “secure” their success. The movie “Roadies” starring rocker Meatloaf as well as Blondie and others, also goes into this issue of mule-ing drugs.

Finally, Corion uses three humans as direct conduits for evil purposes:

Swami Rashnish Negran: Negran is from India and is reminiscent of a certain cult leader who had some influence with certain 60s rock bands. Negran dupes my fictitious band Sound Unltd into his “Church of the Circle of Unity” cult. In fact many celebrities are members of New Age and other “religious” cults but have royalty-type status, thus treated ‘like gods’ unlike lesser members (such as a former friend of mine) who were treated like garbage and are forced to work for long hours for virtually no pay! Corion uses Negran as his main conduit, using the stolen ‘red crystal sight’ mentioned earlier.

‘Doctor’ Cole Blessing: A phony healer, an American, who leads one of Negran’s ‘churches,’ cajoles the wife of a band member into become his disciple, and uses fakery to “cure” another band member’s wife of cancer. Eventually, Blessing takes over the cult. While Negran is integral in Battle of the Band, Blessing is the lead bad guy in The Prophesied Band.

Mark Besst: A Brit and a tech company mogul who eventually (in The Prodigal Band) takes Cole Blessing’s place and doesn’t need the red crystal because he is inhabited by the Corion spirit of evil–at his own request. I called him ‘Mark Besst’ because it resembles the Biblical notion of the ‘Mark of the Beast.’ As with the others Besst acquires the band’s friendship and confidence and eventually takes over not only the cult, but the conspiracy as well. Besst uses three minions, ‘Beast,’ ‘Trenchcoat,’ and a phony Christian preacher called Reverend Ike to do his dirty work.

The Prodigal Band Trilogy–Main Characters, Part 4–the Evil

With this trilogy or series of novels themed primarily as a battle between good and evil, there must be an evil side. As I stated in a previous post, when the first novel, Battle of the Band, was being finalized, I began researching what forces might have been behind the events at Ruby Ridge in Idaho, the David Koresh cult church in Waco, Texas, and the various militia groups tied to the Oklahoma City bombing, the last two events of which happened under President Bill Clinton, as well as former President George HW Bush, who was the first world leader I ever heard mention ‘new world order,’ and was president during Ruby Ridge. Did Bush’s ‘new world order’ speech cause various militia groups to be formed as a response to increasing globalization toward a ‘one-world-government’? Such a scenario is prophesied in the Book of Revelation–that an ‘anti-Christ’ would unite the world under a false peace and then turn the world on its head in an orgy of death and destruction to all whom opposed this one-world-government run by evil. For it is research into Bible prophecy that caused me to consider this battle between good and evil as the theme for my books.

There are several ‘one-world-government’ or globalist organizations that, in my research, became well-known to me in the 1990s–the Council on Foreign Relations, the Trilateral Commission, and the Bilderbergers, and others. They all seem to work together and all seem to contain world leaders, politically, economically, militarily, and even culturally. There were or are even entertainment celebrities that have been involved in these groups, most notably Angelina Jolie, a CFR member. A rock star, U-2’s frontman, Bono, is also notable to have been seen around oligarchs like Bill Gates and even the Pope.

It is not that world unity or world peace is a bad thing. But what makes a one-world-government or ‘new world order’ a bad thing is that it will ultimately be led by evil forces, headlined by the Dragon (Satan, the anti-Christ), the Beast (a one-world-system designed to eradicate belief in Christ and destroy individual freedom and liberty in favor of collectivism), and the False Prophet (a religious or spiritual leader who will cause even believers in Christ to ‘fall away’ and buy into Satan as ‘the false messiah’). And what better way to lead especially young people to evil than by using popular culture icons–such as rock stars–to carry out this agenda?

And not just rock stars–these days, rap and hip-hop almost seem to have taken over pop culture from rock music, which has ruled pop culture since the days of the Beatles. Beginning in the 2010s, gangsta rap and hip-hop appear to be much more prominent, as well as pop icons like Beyoncé and Jay-Z and Kanye West. But, rap, hip-hop and the three icons I mentioned are all black. I am white, I do not listen to rap and hip-hop and Beyoncé and them, and I began my book timelines in mainly the 1980s into the 1990s–therefore, it would make no sense to write novels about black rappers or hip-hoppers or folks like Beyoncé. Further, in Britain and Europe anyway, rock music is still prominent, and in Asia, is becoming far more prominent. Some of rock music’s most prominent acts these days are from Japan and Korea.

However, the main reason my main characters are rock musicians in a Beatles-like super band is that so many people who follow popular culture today, and have followed it for years, truly believe rock music is a huge reason why evil has taken over world events. You Tube video after You Tube video purports to ‘prove’ that rock and roll is ‘the devil’s music’ and that rock stars are all ‘devil worshipers’ and, therefore, have no chance of salvation through repentance and taking Jesus Christ as Savior. This mindset, in my opinion, is full of fallacy. As I state in ‘The Prodigal Band’ toward the end of the book, some of Christ’s most important apostles were either wealthy ship-fleet owners or sons of such (such as Peter, owner of a fishing fleet, and James and John, sons of fleet owner Zebedee), or wealthy or prominent community leaders or officials (such as Matthew, a tax collector; Zacchaeus, chief tax collector and wealthy man; Jairus, temple leader; the Centurion, a Roman, and Nicodemus, a Pharisee). Then, you have folks like Mary Magdalene, a prostitute and a woman possessed by demons, possibly even a devil worshiper. The fallacy that members of the elites, or members of morally corrupt groupings, or both–such as wealthy, ‘devil worshiping’ rock stars–can never be saved because they carry out Satan’s agenda to morally corrupt the young for fame and fortune, is indeed, a fallacy.

Very likely there are few rock stars that have accepted Christ as Savior. Supposedly a guitarist for the death metal band Mega Death–I forget his name but he is mentioned in these videos– has openly avowed belief on Christ. So has rapper DMX. These two are likely two of the more prominent music celebrities that have. Some videos claim others have claimed that as well, but are faking it. Folks, it is difficult in a popular culture ruled by the ‘almighty dollar’ for a star celebrity to give all that fame and fortune up to truly accept the Way of Christ. But it is possible–yet one must give up the debauched lifestyle that one had led previously, and that is not easy.

So that, while it is unlikely that a star celebrity would give all that up to serve Christ, it is still a possibility, and to deny that such a thing could happen, to me is a fallacy, and a false belief that needs to be repented. To believe such a thing, in my opinion, is evil! For anybody can accept Jesus as Savior, and didn’t Jesus come to save the sinner?

As one of my characters mentioned earlier, Billy Preston, former band manager, says toward the end of ‘The Prophesied Band,’ to his former charges–“It’s not how you start, but how you finish.”

I will discuss my ‘evil’ characters and groups in the next post.

The Reality of Why I Wrote My Books–I Had To.

Divine inspiration–something!–caused me to go outside within the beauty of star-surging sky around midnight in the early 90s and receive a “message” to finally get those rock band characters out of my head and onto paper, and then computer. God? Angels? Spirits? Because it was not the devil or demons–the devil or demons would not want me to create a trilogy about a rock band fighting evil (and, after a miraculous event in 1997, accept Christ as Savior!).

Now my characters could not be goody-two-shoes-types or boys who could never do wrong or only sin occasionally. They could not be boys like we have out here in far west Texas that claim to strictly follow the Bible and wear jeans or regular pants and button-down shirts, having sisters and mothers that wear nothing but long skirts and their hair up in a knot…Mennonite, but not Mennonite. Folks, does a Christian writer have to write fiction only with “God-fearing” (or not) characters?

Now, a Christian writer can write what he or she wants and however God guides them, but darn it, before I truly became a believer in Christ I was a sinner. Period. I cussed like my characters do. I had sex out of wedlock, which is defined as fornication, I think. I also dabbled in the occult for a short time (until the occult scared the living daylights out of me!). I also dabbled in atheism, but, again, God made sure this wasn’t going to become a permanent mind set! I could spend all day telling how and what and why God gave me messages and events that set me straight.

And I will say again why my main characters make up a rock band–because growing up in the 60s, rock music was one of my main connections to the world and my friends and classmates and generation. Listening to the Beatles and others, watching shows like Ed Sullivan and music-act shows I cannot even remember the names of, reading in pop culture mags about this or that rocker, buying LPs–you know, vinyl records–learning and playing guitar and being for a short time in an actual rock band that didn’t accomplish much, but still…and having friends who dated other rock band members that also didn’t accomplish much… If not for that, my teen years wouldn’t have amounted to a hill of beans! I would have been a depressed teen-aged girl with no hope of ever fitting in. Being a non-conformist is fine, but being a non-conformist exclusively is never a good idea for a teenager. It is the teen and early twenties years where one must explore the world around them, and then make decisions–hopefully the right ones.

And my books follow that proper narrative: six teen boys discover their music abilities and talent and, given a lack of prim and proper upbringing, more or less, take advantage of that talent and aim at rock and roll stardom, fame and fortune, not realizing that stardom, fame and fortune are double-edged swords and can lead to evil. And, mirroring the reality of evil in the music business that I have done extensive research on starting in the 70s, especially as relates to the hidden agendas of those who ultimately run the business and still do today, I can honestly say that my characters and the story lines and plots of the Prodigal Band Trilogy accord with this research and truth regarding the business of recording and performing the music that has influenced young folks from the late 1950s onward.

These three novel works are partially based on factual events of which I will state in future posts on this site as well as my OmegaBooks blog.

I will now bring up one truth that appears in the Free e-book The Prodigal Band, as relates to ‘prayer rituals’ performed as the ‘master disc’ is produced–the master disc, both in the pre-digital age and today’s digital master age, is ritually ‘prayed’ over by the makers of the disc (recording artists, producer, engineers, and record label personnel, for instance). The link to the video below features John Todd, who, in the 60 and 70s before he became a believer in Christ, participated in these rituals as a big shot with Zodiac Productions. Zodiac Records, a major label in the 60s and 70s, had several top rock band acts. The link is below.

John Todd exposes master disc prayer rituals.

There are more videos on this topic as well on YouTube.

About The Prodigal Band Trilogy: The Theme-Good Triumphs over Evil

I began writing a book that would eventually work its way into three books that make up the Prodigal Band Trilogy–Battle of the Band, The Prophesied Band, and The Prodigal Band–back in the late 1960s in diary form as the characters morphed from just a group of guys in a gang or a clique, with or without girlfriends, living on Long Island-then-New York City, to rock musicians with or without girlfriends, living in England. Why the morph? Because of my own interest in rock music as well as actually having participated in a local band for a few months, and having gone to England in 1970, as well as the notion I had the rock bands from England were more worthy overall than American ones (and Brit bands were my fave bands anyway.) These topics have been discussed in previous posts here and on my blog.

The names and looks of the characters were created in the mid-60s with other characters being created in the mid-80s, which was when I started getting serious about the books, which was still just one book novel. But instead of a diary to write stuff that would later make up the book(s), I just wrote on notepad paper with pen.

In the meantime, I had a teaching job–more than one–and children, which of course took precedence over novel writing. Then came the use of an old 48K Atari computer that I typed ten chapters on, and, really, the whole thing was random…this character did this and that character did that and it was as if it was just a satire on the lives and loves of rock musician celebrities. It was funny, but meaningless in a way. At that point in the early 90s what I was typing onto 4.5 inch floppy discs was just a matter of getting these characters out of my head onto printer paper.

I do not remember the year–1992? 1993?–that I went outside one night and the spirit of the theme took over my head, “telling me” to remake the book(s) into a fight between the forces of good and the forces of evil. One problem–if this was going to be about a rock band, Brit or not, then I had to get with ‘the program’ so to speak because by the early 90s I had lost touch with rock music…the last I remembered was punk and new wave of the early 80s. Living in a rural remote area of far west Texas–where country music reigns supreme and rock music is considered by the hardcore fundamentalist Christians out here as some kind of devil worship (!)–I had no idea how rock music was evolving into what in the 90s was called ‘grunge’ or ‘rock-rap’ or ‘death metal’ or ‘emo’ or whatever. Until 1994, when I got a teaching job in a gang-ridden high school in El Paso. The job sucked, but the themes rustling around in the pop culture world of the high school didn’t. The majority of my students were Hispanic and at the time a female singer from south Texas, Hispanic–I don’t remember her name but she was huge among my students–was the rage, as was rap, especially among the few black students I had. But I did have some white kids as well, mostly children of Fort Bliss parents–these kids were into, primarily, Nirvana with Kurt Cobain–a major influence on my characterizations–and grunge groups like Nine Inch Nails and Green Day. All American groups–what happened to the Brits? Well, it turned out, I discovered, that the Brit bands from the latter 80s were still around.

And that, my friends, is why my fictional band, Sound Unltd, stemmed from the 1980s. Originally, they were supposed to be late 60s-70s group, but rock music had changed so much since then that I did not think it would be wise to make them a 60s-70s group.

Then, when I really began to get really serious after resigning the El Paso teaching job and moving back to the rural remote in 1995, I had a decision to make–just write a satirical book making fun of rock stars and celebrities with all the fun of sex scenes, orgies, drug use, and sex-drug-rock-n’-roll themes, or write a book or books exposing the fallacy so many who lived in my area believed to be true–that rock stars are all devil worshipers, and rock music was the ‘devil’s music.’ And more.

Around the same time, what with events like Ruby Ridge, Waco, and the Oklahoma City bombing–all around the time of a series of Satanic holidays beginning April 19 and ending with Beltane, Walpurgis Night, and May 1–and the so-called “Patriot Movement” against the so-called ‘New World Order’ (spear-headed by both Presidents George HW Bush with his 1989 ‘New World Order’ speech and Bill Clinton’s screeds about globalism throughout the1990s)–I felt it might be another good idea to incorporate an ‘Illuminati-CFR-Bilderberg-type’ organization into the mix, representing the ‘evil’ side…I mean, the symbolism they use–the ‘All-Seeing-Eye’ on the dollar bill and all atop a pyramid with the Latin phrase within-“ANNUIT COEPTIS NOVUS ORDO SECLORUM”–which means, “Announcing the Birth of the New World Order” (or some say, “New Order of the Ages.”). And, having read Biblical prophecy and growing more interested in the possibility that the so-called “end times” were getting closer to fruition, I figured this whole notion of “one world government” was not just some conspiracy theory, but getting closer–and who would lead this one world government? Those who clearly sought power and likely had the money to buy power–bankers and their minions in government and also the media and entertainment industries–and would willingly side with ‘the anti-Christ’ at the end.

Just a note here: the Biblical Book of Revelation, on which so much ‘end times prophecy’ is based, mentions three parts of the so-called “Beast System” which has to exist for all this prophecy to occur: the Dragon (Satan, or the Anti-Christ, or some person Satan/the anti-Christ inhabits), the Beast (which I suppose is a system that supports Satan) and the False Prophet (and there are all sorts of theories as to who or what the False Prophet is!). Thus, it is this notion of an evil system that provides the novel’s notion of ‘bad guys.’ And, according to prophecy, after the anti-Christ comes and sits in the temple in Jerusalem, the true Messiah, Christ–accompanied by a huge number of good angels–returns in the ‘second coming’ to overthrow the evil. Prior to this happening, all humanity must make a choice–side with evil or side with good.

And that, folks, is the overarching theme of my books–my fictitious rock band of world-wide renown must make that same decision before it is too late. The Prodigal Band Trilogy is their journey to that decision, and what they do with it.

Being a ‘Non-Conformist’ Author: You Don’t Always Have to ‘Follow the Script’

In the mid-1990s I joined a local far west Texas writer’s group called ‘Texas Mountain Trail Writers.’ While working on the first printed novel I would call Battle of the Band, I needed ‘tutoring’ so-to-speak on absolutely what had to go into the novel to make it a legitimate novel, to market and sell the thing–that is, get some literary agent to ‘sell’ it to a big time publisher. No literary agent came a-calling, so I had to do it myself.

And this was what I picked up in all of these discussions and even annual writer conferences, which I will now list:

  1. ‘Show, don’t tell.’ Anyone who writes novels or books knows what this means. And I believe in ‘show, don’t tell,’  but there are times the ‘tell’ part has to be used perhaps  more than some would find acceptable, as I discovered finishing up my first book.
  2. Your setting must be a setting one is familiar with. After all, aren’t most of Stephen King’s novels set in Maine, where he is from? (And why do I always use Stephen King as an example? Because other than literary genius Kurt Vonnegut–from Ithica, New York (quite a few of his books are set in that part of New York state)–no writer has influenced me to write than the best suspense-si-fi-horror novelist in US history.
  3. Your characters must be from the setting you use that must be one you are familiar with.  Not all, but many of King’s characters are from Maine, or at least New England.
  4. Your characters, because you must know your characters–especially the main ones–must be part of you and even as you are. (Characterization)
  5. Dialogue–your characters must speak in a way that characters from a particular setting would speak, thus you must know how these characters would speak, which is why they ought to come from a particular familiar setting. Further, you characters must speak in a way that it is obvious for that character and the reader knows that is how the character talks. Use catch-phrases as well.
  6. Genre–this is the item that has and will give me the most headache. My books are not genre specific, but a mix of spiritual/satire/adult-rated R not X/horror/suspense/fantasy, so that could be why no literary agent touched my books–literary agents tend to be genre specific, or at least that’s what I was told by the first published author I ever met, a romance novelist (with plenty of the required ‘sexual tension.’)
  7. Theme–The only way I can describe any theme in my books is this: good triumphing over evil. If it isn’t ‘good vs. evil’ in fiction, then I am not writing it-ultimately, good vs. evil is the only issue that matters to me.
  8. Plot–Within the realm of the physical and mental and real and spiritual worlds, the plot revolves around an 80s-90s rock and roll band that, upon achieving great success, must choose their good vs. evil path, with triumphs, trials and tribulations along the way. Because they are ‘rock stars,’ they are ‘gonna do what a rock star is gonna do.’ Which is why these novels are adult–sex, drugs, and rock ‘n roll–and not young adult or Christian or rated G. Sorry about that, but if my characters are going to be real, they’re just gonna have to cuss every now and then, or engage in free sex–and one of my characters is bi-sexual, by the way.

Did I miss anything?

So, here is where I ‘go off the reservation’ so-to-speak. ‘Show, don’t tell’? Who gets to decide if you I don’t show enough and tell too much? Folks, I have NEVER read a novel without some ‘tell,’ okay? Read JRR Tolkein’s “Silmarillion’ some time…there is so much ‘telling’ in that book that one would think one of the greatest novelists ever couldn’t write a novel to save his life! But of course, he has to ‘tell’ about how the elves and what not came to be, from what heavenly spirits, and the rest. Then you have books loaded with dialogue–in fact, one friend-turned-book-critic once told me that my two printed books had too much dialogue! “Too much telling,” she told me. After all, dialogue is kind of like telling, right? In my opinion, however, nothing SHOWS a character like his or her dialogue, and how he or she says it!

Where I really go off the reservation though is setting, for actual setting and in terms of where the characters are from and how they speak. I intend to fully explain the whys and what-fors of this issue in posts I have already written and just need the right time to post (since I am busy re-typing/re-writing my two printed books for e-book formatting purpose for sale on Kindle, Nook, Lulu, etc). But for now I will sum it up–since my characters are in a rock band of the 80s and 90s, and since I grew up in the 60s and 70s when British rock reigned supreme for the most part (beginning with the Beatles), and since I spent about two months there in mostly the southeast (Brighton area) and also met three twenty-somethings from Tyneside (Newcastle, of course) and I just loved hearing that Geordie accent… Okay, you get the idea. But just to make it a bit easier for me to deal with creating these books, roughly half of the settings in all my novels are in the US, either New York City or California between LA and San Fran. I grew up on Long Island and lived in NYC. I have visited southern and central California and know several folks from there  (and my brother and his family used to live near Silicon Valley). A number of supporting characters are Americans. Finally, for the most part, my Brit rocker characters spend most of their time in the most affluent part of England, which just happens to be the part of England I am most familiar with–the southeast, including the affluent county called Surrey. Thus, one really cannot accuse me of not knowing the settings and the ways of speaking (though I do use slang words every now and then that are more American than Brit, and one big mistake I made originally in the printed books was listing the dates American style instead of Brit style: instead of writing ‘the 15th of July’ I wrote “July 15.’ Or used the term ‘called’ instead of ‘rang’ on occasion…any slang terms I screwed up in my first two books will be rectified, I hope, in the e-books.

Finally, as I will explain in my posts that will be posted as soon as possible, my entire life generally does not ‘follow the script,’ and I’ve been for the most part a non-conformist my entire life.

The Prodigal Band Trilogy: The Spiritual

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Moving on to the spiritual aspect of why I wrote these books…

In the fall of 1993, at night with the myriad of star-shine visions outside the house at night in the mountains, a view of the heavens, thinking some divine entity was hovering above, a thought came into my head, in my own voice, telling me that now was the time to begin to compile all the character and theme and setting and story and all the stuff I had carried in my head since the mid-60s. The time to write the novel was nigh.

The rough-rough-rough draft was written using an ancient Atari computer that used a very large floppy disk inserted into the hard drive to set up the system and then insert another floppy disk to write whatever. Don’t ask me the model of this Atari, I don’t remember. But computers in the old days didn’t have operating systems as we know them today…you had to insert a master floppy disk to get the computer to work, then insert another floppy disk for whatever you were typing on the keyboard, then copy the new work to the disk, which only had 48 KB in its “memory bank.”

Imagine! A floppy–and I mean floppy! These disks weren’t the plastic kind with metal parts that were 3.5 inches square, but 5 inch floppies without metal parts–could hold only one chapter at a time!

Since I was raising a toddler daughter at the time, I had limited time to do this work, but I managed to get the rough draft manuscript done by the summer of 1994 only to have to go back to work teaching secondary math–in El Paso, in what was then a ‘gang land high school’ and put up with not only gangster students but a principal that couldn’t handle gangster students (the ONLY time I noticed serious discipline in the hallways was the one week this so-called principal was at a conference in Washington, DC! During that week, the assistant principals and security guards were actually able to do their jobs, and not one student of mine tried sneaking out of class or wanted to roam the halls…the only time this happened!) After the kids went to bed at night, when I wasn’t grading tests or whatever, I edited the rough-rough-rough draft. I quit the teaching job in June, 1995.

That summer I began the actual rough draft on someone else’s Macintosh computer, from 6 am until 8 am, when I had to go back home to home school my kids. In fall of 1995 I bought my own Mac computer with System 7.5. When I had time, I finalized the first novel, Battle of the Band, which was completed in 1996–after a writer/retired teacher friend of mine Beta Edited the novel twice.

And what she told me through her proof-reading/editing caused me to think maybe divine intervention WAS at work in this first book:

  1. I did not know, first of all, that there was a direct shipping lane from Stavanger, Norway,  to the Tyne River in northeast England, where the band is from. The mother of the singer-character just happened to be from Stavanger, Norway! Coincidence?
  2. I did not know when I wrote the book that a “Laird McLeod” owned a castle on the Isle of Skye in northeast Scotland, so it seemed very strange to both of us that a “Laird McLeod” (correct spelling) in my book just happened to own a castle on that island! Coincidence?
  3. The fictitious city my band is from, Walltown, on that Tyne river, has an angelic statue of winged trumpeters, angels. I did not know in fact that a city across from my fictitious Walltown, called Gateshead, had as it’s main tourist feature an angelic statue! (but only one angel, not three angels, plus one could say it almost looks bird-like, but is definitely an angel.) Coincidence?
  4. The most important song in the book speaks of “…for my sweet love, to wear a golden crown.” This song came into my head in the early 70s. In the early 70s, tired of all the arguing by my parents over various Christian doctrines (my dad grew up Episcopalian; my mom grew up Catholic–they argued about the Pope’s ‘infallibility’ ad infinitum, among other things), I became agnostic. So I had no idea what that line in the song meant. When I became a committed Christian in the mid-90s, I finally figured the line out. That was when I knew that the ‘mission’ I was given had to be completed. Coincidence?
  5. In that same song is a part about Pleiades, a star system, Orion, another star system, and the Dragon, a constellation–which, by the way–coincidence?–contains not only Orion, whose belt ‘flays the fire’ of the dragon, but Pleiades as well! These three heavenly entities co-exist, which I had no idea about! The ‘dragon,’ of course, is mentioned in the biblical Book of Revelation as another name for Satan.  Pleiades, named for an ancient Greek warrior, ‘brandishes’ Orion’s belt to ‘flay the fire.’ How else could this happen unless all three heavenly entities were in the same constellation–and I had no idea of this when I wrote the words to the song–in the early 70s?

So let me sum this up:  I wrote a song about the ‘second coming’ of Christ as well as the coming so-called ‘great tribulation’ by Satan (and the ‘beast’ and the ‘false prophet’) prior to Christ’s second coming BEFORE I had any idea about such a Biblical event in the Book of Revelation I had NEVER read before writing the song! The same song which is the centerpiece of all three novels in The Prodigal Band Trilogy! Add to that the other ‘coincidental’ facts I had no clue about when writing the first book in the trilogy before my friend just happened to tell me were true fact I thought I had simply made up.

These things are just one reason why I believe a divine authority put it into me to write these novels. If it worked for the Blues Brothers

This site is now the OmegaBooks WordPress Blog site

After about a month of trying to get BlueHost to give me back my domain “omegabooks.com” and (using ICANN and Whois as excuses for not doing so!) failing to get the domain “omegabooks.com” back, WordPress handed me a “reprieve” of sorts by letting me set up a new domain, omegabooksnet.com from where one can download the FREE PDF e-book, The Prodigal Band, as well as (soon) purchase the printed books published in the 1990s, Battle of the Band and The Prophesied Band. For the last three weeks I have been getting the site prepared for this adventure in Independent Publishing and marketing. Today, April 30, 2018, I was able to get the site presentable, and also get The Prodigal Band registered with the Library of Congress ($55 fee).

Since omegabooksnet.com is now the official OmegaBooks site, this WordPress blog site will be the BLOG for omegabooksnet.com where I will discuss how and why I began the book series in the 90s, the creation of the characters and scenarios and such. Since I have deleted the “blog” and “book” pages previously at the top of the page in the “menu,” I am re-posting the original “blog” article, below.

Chapters of Three Books will be added soon.

UPDATE: The “chapters” will be added to the Battle of the Band page on omegabooksnet.com, The Prophesied Band page on omegabooksnet.com, and the The Prodigal Band FREE PDF page of omegabooksnet.com, and in fact, the Prologue has already been added to that page!

Chapters, or rather, parts or sections of chapters, will be posted in the “Book” menu section soon, and here at the “Blog” I will discuss what was posted and why I posted what I posted. If one is a certain spiritual bent some of the words posted might offend. Sorry. But anyone who believes a writer can’t develop a character’s way of speaking or way of living in order to prove a point later has likely never tried writing a book let alone develop book characters.

Notice (if you have read the home front page) the use of the word “Band.” Gee, guess what kind of “band” I am talking about? Growing up in the 1960s? Now, what kind of bands predominated in the 1960s…and the 70s and the 80s and the 90s and the 2000s?

Rock and roll bands? Yep. (Note–I am white. If I was black they might be rap groups or “soul” groups or Michael Jackson-types)

Meaning, guess what the main characters are? Rock stars. Yep, sex, drugs and rock and roll, with some cussing thrown in (BTW, I almost never cuss, and do not use the “f” word…my characters do. Sorry.) But when I was growing up, the one thing I had in common with boys and girls of my generation–I grew up on Long Island, not some far west Texas ranch run by a fundamentalist Christian family where girls always wore dresses or skirts and boys always wore button-down long sleeve shirts and jeans or nicer pants for church led by a fundamentalist preacher–well, the one thing I had in common was love of rock bands and music (really, that was the one thing that kept me from being “D-list” in high school…I actually made it to “B-list” by my junior year! And I even tried out for a couple of local rock bands–they were all over the place! I will discuss that at some point). So, about the only way I “conformed” to kids my age was listening to rock music and discussing or seeing various rock groups (I never did see the Beatles except on TV. Oh well.) So, there I was a writer of fiction from the time I was 8 or 9…seriously.

Now I could have written about just average teenagers. But I wanted characters a bit more exciting and “push the envelope” than just young folks like me. So I developed the characters I developed and, over time, they became rock stars. (Keep in mind, I was pretty good at electric guitar and could sing at the time. Meaning, I wanted to be a rock star though I am female and there weren’t very many female rock stars then.) Since I never did become one, I figured, well, if I didn’t become one, maybe I could write about one? Or a band that (fictionally) made it big?

So, there I was in the mid-1990s when an extraordinary experience happened to me in the mountains and deserts of far west Texas, where I am now.

More later.

Why Is OmegaBooks “Home Of The World’s Most Unique Fiction”?

I know that sounds bloviated, unrealistic, conceited even, to call my little independent publishing company hardly anyone has ever heard of “home of the world’s most unique fiction.” But folks, I do believe it is true. Here is why:

  1. None of my fiction books fit into a fiction genre. My books are not simply romance, though there is romance in them. Or spiritual, though there is much spirituality in them, and the same goes for the “Christian” label–my novels contain sex, drugs, and rock and roll–now how “Christian” is that? Or fantasy–but there is plenty of fantasy in my novels! Or horror–bu there are elements of horror in all my novels, such as Satanists drinking blood like vampires. Or adventure–but there are adventures in all of them, and even a bit of “western” in my forthcoming “The Prodigal Band.” Or the notion of “based on a true story”–no novel is based on one particular true story, but many truthful events which at some point I will document. One “truthful event” scenario that prevails in all my novels so far is the well-worn notion that rock and roll artists, from simple rock stars to mega stars, have “sold their souls to the devil.” Thus my novels are spiritual, fantasy, horror, with a bit of adventure, romance, “Christian” and western thrown in. Historical facts are also at play here.
  2. The over-riding theme, being spiritual, is simply this–and I hate to play spoiler here–a rock and roll band learns how to defeat evil and accepts the ultimate destroyer of evil, but not to spoil anything I won’t say Who. So, folks, are there any other novels out there with the same theme using a rock and roll band? If so, let me know.
  3. The main characters in these books were created by me when I was somewhere between the ages of 12 and 14, the time period being 1964 through 1967 or thereabouts–the time of the Beatles, Stones, Who, Cream, etc.–that is, the beginnings of the true “classic rock” period. Now, what do the bands mentioned above all have in common? They are Brits. To me, these English bands made the genre, so therefore, after spending about 6 weeks in England as a HS graduation gift, along with five others, one my best friend, and learning about living in England (we lived as guests with families near Brighton and attended lectures at Sussex University), I decided my main characters would be from England, and would be in a rock band. (Besides, I love hearing English accents, especially northern ones).
  4. Now isn’t it conventional wisdom that one’s novels almost always contain characters and landscapes similar to or exactly where one grew up? Stephen King’s novels almost always take place in Maine, where he is from, right? JK Rowling’s Harry Potter novels are set in England, where she is from, right? My fave American author if all time, Kurt Vonnegutt? He is from central-upper New York State, near Ithica, and aren’t many if not most of his novels set in that area? A great English novelist, Charles Dickens, has most of his books set in or around London, where I presume he is from, right? So, another “unique” aspect to my novels is that my main characters, which originally were from my birthplace on Long Island when I first created them, were moved to England around the time I went there. But not because I know a huge amount of stuff about England or even would rather live there, but because since they would be in a rock band, in my opinion they had to be from England, which created the best rock music in my day. Plus, I had become an Anglophile, so to speak.
  5. Why a rock band? Two reasons. One, rock music was one of my very few connections to my generation and friends–I was mostly a loner then and I am mostly a loner now…an introvert. Being a fan of rock music allowed me to have at least some good friends and become, if not “A-list” in High School, at least “B-list.” Two, because when I was a teen I wanted to become either one or two things–either an author or journalist, that is, a writer, or a rock star with guitar. I learned some guitar when my grandparents got me a regular guitar for Christmas in 1965 and learned mostly chords. I got more lessons from a friend who happened to be the front man for his local band, which after some lessons I joined–and this band was quite good. But it split up in 1969 or so. Plus, I was okay at guitar as well as singing but not really up to professional standards. So as for college, I had become pretty good at art as well, so I went to art school in NY City but dropped out after a year–I was good, but again, not professional. So then, why didn’t I become a journalist? Because I realized that “journalism” was what the editor and newspaper publisher wanted one to “journalize” about! I did not want to be a “journalist” who had to re-write the truthful story into falsehood just to please my “bosses.” So, after a period of years, I began my first novel featuring a fictional rock band.
  6. If I was never a rock star, how could I write about fictional rock stars? Ever hear of Rolling Stone magazine? The “magazine about rock stars” from the late 60s until today? Research, folks. Plus what happens at gigs, how music/tracks/albums are recorded, back then and today with digital, various instruments, etc. The music business, recording contracts, managerial connections, etc. The research isn’t that hard–and I did most of it back before I had internet! But though fictional rock stars are featured in my novels, the novels aren’t about “rock stardom.” The novels are about good vs. evil. And did I dance with evil! The occult, witch craft, tarot cards, ouija boards, seances, etc. Just to try it out so to speak–but after one particular horrifying seance were I and two other friends actually called up the dead and the “dead” responded–sending the ouija board into the air and the curtains in the room flying hither, thither, and yon!–that was the last of my doing “witch” stuff!  So, my novel characters also wind up calling up what would turn out to be demons and wicked angels to “assure” their huge success. If I could do it (never mind success)…

And, if my novels present and future do achieve sales success, it won’t be because of evil spirits, but Good Ones if you know what I mean. I’m on a “mission from…” Remember that line from the movie Blues Brothers?